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ExhibitsUSA national touring exhibition · September 2002 – August 2005

Revelations and Reflections

of American Self-Taught Artists

Two paintings by Matt Sesow, Hellbound III and Bunny Collector, both made in his Washington, DC studio in 2001, traveled for three years in a museum exhibition of American self-taught art: eleven museums and university galleries in ten states, from Little Rock to Las Vegas to Middlebury, Vermont.

CLICK HERE TO VIEW ARCHIVED PAGE https://www.sesow.com/revelation.htm

Hellbound III by Matt Sesow, 2001: a screaming pink face with bared teeth and wide circular eyes, both hands pressed to its cheeks, against a red ground splattered with white, blue and orange paint.
Hellbound III, 2001
Oil on board, 30 × 40 in.
Bunny Collector by Matt Sesow, 2001: a pale girl dressed in black holds a blue stuffed bunny while a nude woman reaches for it; three blue-faced figures in hats watch from a red background.
Bunny Collector, 2001
Oil on stretched canvas, 48 × 36 in.
Venues
11
States
10
Artists in the show
55
Works
≈60
On the road
3 yrs

Where the paintings went

Eleven stops, in tour order

Map of the eleven tour venues, 2002–2005Eleven numbered points in tour order: Little Rock, Camden, Portsmouth, Schenectady, Las Vegas, Great Falls, Middlebury, Moraga, Loveland, Midland and Beaumont. A dashed line follows the order of the tour. A star marks Washington, DC, where both paintings were made.AlabamaArizonaColoradoFloridaGeorgiaIndianaKansasMaineMassachusettsMinnesotaNew JerseyNorth CarolinaNorth DakotaOklahomaPennsylvaniaSouth DakotaTexasWyomingConnecticutMissouriWest VirginiaIllinoisNew MexicoArkansasCaliforniaDelawareDistrict of ColumbiaIowaKentuckyMarylandMichiganMississippiMontanaNew HampshireNew YorkOhioOregonTennesseeUtahVirginiaWashingtonWisconsinNebraskaSouth CarolinaIdahoNevadaVermontLouisianaRhode IslandWashington, DC1Little Rock, AR2Camden, NJ3Portsmouth, OH4Schenectady, NY5Las Vegas, NV6Great Falls, MT7Middlebury, VT8Moraga, CA9Loveland, CO10Midland, TX11Beaumont, TX
  1. 01The Arkansas Arts CenterLittle Rock, AR · Sept 1 – Oct 20, 2002
  2. 02Stedman Art GalleryCamden, NJ · Nov 13, 2002 – Jan 11, 2003
  3. 03Southern Ohio MuseumPortsmouth, OH · Jan 28 – Mar 16, 2003
  4. 04Mandeville Gallery, Nott MemorialSchenectady, NY · Jun 26 – Aug 11, 2003
  5. 05Marjorie Barrick MuseumLas Vegas, NV · Sept – Oct 17, 2003
  6. 06Paris Gibson Square Museum of ArtGreat Falls, MT · Feb 2 – Mar 2004
  7. 07Middlebury College Museum of ArtMiddlebury, VT · May 20 – Aug 11, 2004
  8. 08Hearst Art GalleryMoraga, CA · Sept 4 – Oct 17, 2004
  9. 09Loveland Museum/GalleryLoveland, CO · Nov 10, 2004 – Jan 7, 2005
  10. 10Museum of the SouthwestMidland, TX · Apr 7 – May 25, 2005
  11. 11Art Museum of Southeast TexasBeaumont, TX · Jun 16 – Aug 14, 2005

Dates shown are the public dates published by each museum or its local newspaper wherever a record has been found; otherwise the booking periods from Matt Sesow’s own 2005 record. Each source is linked in the tour record.

The work

The two paintings

Hellbound III

Date
2001 (first posted to sesow.com November 17, 2001)
Medium
Oil on chipboard (sesow.com); “oil on heavy-duty watercolor board” (exhibition label)
Size
30 × 40 in.
Lender
Courtesy the artist
Status
Sold; present owner not recorded
Also titled
“Hellbound3” (sesow.com), “Hell Bound” (history.sesow.com timeline). The 2001 archive also holds earlier paintings titled Hellbound and Hellbound II; the one that toured is the third.

A single head fills the board: pink face, round staring eyes, a red-lipped mouth with two rows of square teeth, both hands clamped to the cheeks. Lines are scratched into wet paint and the surface is thrown with white, blue and orange splatter. The exhibition label read the picture through the artist’s childhood accident, noting his heavy black outlines and the private system of color and character that runs through his work.

Hellbound III by Matt Sesow, 2001: a screaming pink face with bared teeth and wide circular eyes, both hands pressed to its cheeks, against a red ground splattered with white, blue and orange paint.
Hellbound III, 2001, oil on board, 30 × 40 in.

Bunny Collector

Date
2001 (first posted to sesow.com October 23, 2001)
Medium
Oil on stretched canvas
Size
48 × 36 in.
Lender
Courtesy the artist
Status
Sold; present owner not recorded
In the show
Slide #10 in the exhibition’s teaching slide set

A girl in black holds a blue stuffed rabbit against her chest while a nude woman reaches across the canvas for it. Behind them three blue-faced figures in yellow and orange hats wait. In his statement for the show, Sesow explained every color: the girl wears black because she has not yet reached knowledge (yellow) or enlightenment (orange), and the orange eyes of the others signal ill intent.

Detail of Bunny Collector: the girl in black clutching the blue bunny as a pale arm and hand reach toward it.
Detail, Bunny Collector

Context

The exhibition

Revelations and Reflections of American Self-Taught Artists was organized by Media Gallery in Garnett, Kansas, and curated by its directors, Robert Cugno and Robert Logan. It was toured by ExhibitsUSA, the national touring division of the Mid-America Arts Alliance, which offered it to museums in its program catalog for seven-week bookings starting January 2002.

The show gathered 66 works (paintings, works on paper, quilts, carvings, sculpture and mixed media) by fifty-five self-taught artists around the theme of spirituality: heaven, hell, angels, demons, prophecy, and the private visions that move untrained artists to make work. The catalog opened with the Reverend Howard Finster as the best-known example of an artist who started painting for religious reasons. Many of the works came on loan from galleries and dealers; Sesow lent his own two paintings. At the Arkansas Arts Center the show hung in the Decorative Arts Museum and was presented with the Arkansas Arts Council; in Great Falls it shared the museum with a second show of self-taught art, “Radiant Voices: Selections from the Volkersz Collection.”

Sesow’s two pictures stood apart. Both critics who reviewed the show singled him out: in Las Vegas as one of the few artists working outside a Christian frame, and in Schenectady as one of four painters whose style went past the childlike look of much of the exhibition. He was 35, one year into painting full time, and the tour ran alongside his first decade of museum exposure, from the Corcoran’s “White Walls” solo in 2001 to the American Visionary Art Museum’s “Holy H2O” in 2004.

The full list of artists named in the museum records and reviews, with the works they showed, is under The artists.

Tour record

Every venue

Venues in tour order. “Booking” is from sesow.com/revelation.htm (2005). The last column gives the public dates and the independent source that confirms them; rows marked “search continuing” are still being researched.
#VenueCityBookingConfirmed public dates and source
1The Arkansas Arts CenterDecorative Arts Museum; now the Arkansas Museum of Fine ArtsLittle Rock, ARSept 1 – Oct 20, 2002Sept 1 – Oct 20, 2002Arkansas Arts Center exhibition page, archived Nov 7, 2002: Wayback Machine · saved copy, full text
2Stedman Art GalleryRutgers University–CamdenCamden, NJNov 10, 2002 – Jan 7, 2003Nov 13, 2002 – Jan 11, 2003Rutgers–Camden Center for the Arts exhibition archive · saved copy, full text
3Southern Ohio MuseumSouthern Ohio Museum and Cultural CenterPortsmouth, OHJan 28 – Mar 16, 2003Venue confirmed; dates not yet foundListed for 2003 in fellow exhibitor Purvis Young’s exhibition history · saved copy, full text. Search continuing
4Mandeville Gallery, Nott MemorialUnion CollegeSchenectady, NYJun 16 – Aug 11, 2003Jun 26 – Aug 11, 2003Union College news release, June 6, 2003 · saved copy, full text; Brickman review
5Marjorie Barrick MuseumUniversity of Nevada, Las VegasLas Vegas, NVSept 1 – Oct 20, 2003Sept – Oct 17, 2003Las Vegas Sun, Sept 12, 2003 and Oct 10, 2003 · saved copy, full text; Las Vegas Mercury, Sept 11, 2003
6Paris Gibson Square Museum of ArtGreat Falls, MTFeb 1 – Mar 20, 2004Opened Feb 2, 2004Museum events calendar, February 2004, archived Feb 11, 2004: Wayback Machine · saved copy, full text. Shown alongside “Radiant Voices: Selections from the Volkersz Collection of Self-Taught Art”; not on the April 2004 calendar (archived Apr 6, 2004), so it closed by the end of March
7Middlebury College Museum of ArtMiddlebury, VTApr 6 – Aug 11, 2004May 20 – Aug 11, 2004Middlebury College 2003–2004 arts season announcement, Aug 29, 2003 · saved copy, full text
8Hearst Art GallerySaint Mary’s College of CaliforniaMoraga, CASept 1 – Oct 20, 2004Sept 4 – Oct 17, 2004Saint Mary’s College exhibition page (now login-only); Resource Library (Wayback copy) · saved copy, full text
9Loveland Museum/GalleryLoveland, CONov 10, 2004 – Jan 7, 2005Venue confirmed; dates not yet foundListed for 2004 in Purvis Young’s exhibition history · saved copy, full text. Search continuing
10Museum of the SouthwestSouth Wing GalleriesMidland, TXApr 6 – May 25, 2005Apr 7 – May 25, 2005Museum newsletter, March–May 2005, front page: archived original · saved copy, full text
11Art Museum of Southeast Texaslisted on sesow.com as “Art Museum of Southwest Texas”Beaumont, TXJun 16 – Aug 14, 2005Not yet foundFinal stop on Sesow’s list. Search continuing

The paper trail

Documents from the tour

Cover of the exhibition booklet: Revelations and Reflections of American Self-Taught Artists, with Ruby C. Williams's painting Let Us Have Your Attention Now, Baby; organized by Media Gallery, Garnett, Kansas, and toured by ExhibitsUSA.
Exhibition booklet · cover painting by Ruby C. Williams. Media Gallery / ExhibitsUSA.
ExhibitsUSA program catalog page 33 offering Revelations and Reflections of American Self-Taught Artists to museums, with works by Kathy Ruth Neal and Anne Grgich.
ExhibitsUSA catalog, p. 33 · how museums booked the show.
Front page of the Museum of the Southwest newsletter, March to May 2005, announcing Revelations and Reflections of American Self Taught Artists, April 7 to May 25, 2005, South Wing Galleries.
Museum of the Southwest newsletter, Midland, Texas, March–May 2005 · the show on the front page.
Las Vegas Mercury, September 11, 2003: Art: Revelations and reflections, by Gregory Crosby.
Las Vegas Mercury, September 11, 2003 · Gregory Crosby’s review.
David Brickman's review This Is Not the Academy, of the show at the Mandeville Gallery, Union College, 2003.
“This Is Not the Academy” · David Brickman, 2003.

Images are reproduced from Matt Sesow’s clipping archive and from pages preserved by the Internet Archive, for reference. Rights remain with the original publishers.

Who else was in the show

The artists of Revelations and Reflections

Fifty-five self-taught artists took part. These are the ones named in the museum records, catalog and reviews found so far, with the works those sources mention. Links go to Wikipedia where an article exists.

ArtistWork named in the sourcesSource
Leroy Almon Sr.—Museum of the Southwest newsletter, 2005
Hope AtkinsonOne Day at a TimeLas Vegas Mercury
Johnny Banks—Museum of the Southwest newsletter, 2005
Michael Banks—Museum of the Southwest newsletter, 2005
Eddie BreenWooden Head LampBrickman; Museum of the Southwest
Frank BrunoThe Man, From HellLas Vegas Mercury
Ronald and Jesse CooperHell It Is HeavenBrickman; ExhibitsUSA catalog
Brian Dowdall—Brickman (as “Dowdale”); Museum of the Southwest
Minnie Evans—Museum of the Southwest newsletter, 2005
Howard Finster—ExhibitsUSA catalog; Brickman; Saint Mary’s
Michael FinsterLake of Hellfire on Brimstone; wood cutouts of Bible scenesLas Vegas Mercury; ExhibitsUSA catalog
Paul Gasoi—Brickman
Anne Marie GrgichChimera Spirits (painted globe); Chesapeake (1997)Brickman; Las Vegas Mercury; ExhibitsUSA catalog
Alyne HarrisDevil With Angels Flying Around His TeethBrickman
James Harold Jenningswood constructionsBrickman
Woodie LongThe Angels Heard the MusicLas Vegas Mercury; Museum of the Southwest
Annie LucasAngels Holding Back the Four Corners of HeavenBrickman
Roy MinshewAngel DogBrickman
Kathy Ruth NealThe Slippery Slope (1999)ExhibitsUSA catalog; Brickman; Museum of the Southwest
Georgina OrrThe MillenniumBrickman
Frank PickleTree of HorrowBrickman; Museum of the Southwest
Mary L. ProctorHeavenly Choir in GoldLas Vegas Mercury; Brickman
O.L. SamuelsDevil DogLas Vegas Mercury; Brickman
Lorenzo ScottDevil Family at Art GalleryLas Vegas Mercury; Museum of the Southwest
Matt SesowHellbound III and Bunny Collector (both 2001)Every source on this page
Xmeah ShaElaRe’ElThese Three Kings: Satan, Death and Hell! All for One!Brickman
Wanda TeelI’ll Fly Away Some DayLas Vegas Mercury
William Thomas ThompsonThe Sea Beast of RevelationLas Vegas Mercury; Brickman
Annie Tolliver—ExhibitsUSA catalog; Brickman; Museum of the Southwest
Mose TolliverSelf-PortraitLas Vegas Mercury; Brickman
Yvonne WellsThe Whole Armour of God II (1996, quilt)Arkansas Arts Center, 2002
Myrtice WestWhite Throne Judgment and Mother of HarlotsLas Vegas Mercury; Myrtice West release, 2004
Ruby C. WilliamsLet Us Have Your Attention Now, Baby (booklet cover)Booklet; Union College; Brickman
Jane “in Vain” Winkelmanserpentine, text-laden self-portraitsLas Vegas Mercury; Brickman; Saint Mary’s
Purvis Young—Museum of the Southwest; Purvis Young exhibition history

Saint Mary’s College lists a “Matryce West,” most likely Myrtice West. More names will be added as records turn up.

The record

Press, catalog and wall texts

Each item below is summarized in plain text so it can be searched and cited. Scans of every clipping and saved PDF copies of every outside web page are kept on this site, so the record survives even if the original pages go offline; each copy carries its full citation. Quotations are kept short.

Newspaper review · Las Vegas, NV

“Art: Revelations and reflections”

Gregory Crosby. Las Vegas Mercury, Thursday, September 11, 2003. Review of the exhibition at UNLV’s Marjorie Barrick Museum (on view through October 17, 2003).

Crosby opens by praising the range and nerve of self-taught artists, whom he finds more vivid than many graduates of art school, then observes that most of the works in this show depend on the Book of Revelation. He finds the cumulative apocalypse more powerful as a group than piece by piece, and he discusses the artists’ wall biographies, which so often tell of injury or illness followed by a vision that he begins to distrust them as a formula.

On SesowCrosby places Sesow among the handful of artists in the exhibition who did not work in a Christian frame, and uses him to show what avoiding the academy can do for an artist. He writes that Bunny Collector “could hold its own with Grosz,” and that Hellbound III imagines a world in which Francis Bacon and Edvard Munch are the same painter.

Keywords: George Grosz · Francis Bacon · Edvard Munch · Book of Revelation · outsider art · art brut · Hieronymus Bosch · Michael Finster · Myrtice West · Jane Winkelman · Mose Tolliver · Anne Marie Grgich

Review · Schenectady, NY

“This Is Not the Academy”

David Brickman. Review of the exhibition at the Mandeville Gallery, Union College, Schenectady, NY, summer 2003 (on view through August 11). Archived on Union College’s “Mandeville Gallery Past Exhibits” web page. The original print outlet is not shown on the archived page; Brickman was then an art critic for Metroland and the Times Union of Albany, so the first publication should be confirmed.

Brickman traces the shifting names for this kind of work, from folk to naive to outsider, and notes the market for it. He counts about sixty pieces by nearly as many artists, observes that most of the work is religious and meant seriously, and argues that untrained style often converges on a shared look. He also suspects that some pieces were made to suit collectors. He praises the three-dimensional work in particular, naming Anne Marie Grgich, Kathy Ruth Neal, Frank Pickle and O.L. Samuels.

On SesowBrickman names four painters in the show who “transcend the childlike to create styles all their own”: Paul Gasoi, Jane “in Vain” Winkelman, Brian Dowdale and Matt Sesow. He adds that these four would fit in a museum collection of academically trained contemporary painters, while still sharing the visionary content of the rest of the show.

Keywords: Union College · Nott Memorial · folk art · naive art · outsider art · Howard Finster · Talking Heads · Ruby C. Williams · Mose Tolliver · Mary Proctor · James Harold Jennings · Roy Minshew

Exhibition wall labels · 2002–2005

Labels for Hellbound III and Bunny Collector

Media Gallery / ExhibitsUSA, interpretive labels written for the tour. Both works listed as 2001, “Courtesy the artist.”

The Hellbound III label tells of the 1975 accident in which a landing airplane struck the eight-year-old Sesow’s left arm, of his becoming right-handed, and of his starting to paint in 1994 at 28. It describes violent color contrasts, tormented faces and heavy black outlines, mentions his short films, and closes with his own line about painting: “It is the most important thing I do.” The Bunny Collector label calls him a full-time painter of anguished faces and contorted bodies whose every color and figure carries a set meaning, and it retells the painting as a child’s loss of innocence before conformity, organized religion and a repressive society, quoting his explanation of the black dress.

Teaching slide set · 2002–2005

Slide #10: Matt Sesow, Bunny Collector

Educational slide entry prepared for the exhibition’s teacher and docent materials. Lists Bunny Collector, 2001, oil on canvas.

The entry gives his biography (raised in Lincoln, Nebraska; the airplane accident at eight; painting since 1994; blood-red backgrounds, orange averted eyes and heavily outlined figures as his hallmarks; painting all day in oil on canvas and cardboard) and prints two statements by Sesow in full. Both are transcribed below under In his words.

Program catalog · c. 2001

ExhibitsUSA catalog listing, page 33

ExhibitsUSA (Mid-America Arts Alliance) touring-program catalog, section “Decorative Art, Craft, and Folk Art,” p. 33.

The listing offered the show to member museums: about 60 works (paintings, works on paper, sculpture, mixed media); curators Robert Cugno and Robert Logan, directors of Media Gallery, Garnett, Kansas; essayist to be determined; moderate security; van shipping; 100 running feet or 1,500–2,000 square feet; available January 2002 to January 2005 (the tour in fact ran to August 2005). The rental fee was $5,400 for a seven-week display, or $4,050 for members, and included text panels, labels, a programming guide, teacher and docent guides, publicity and registrar packets, insurance and custom crates. Pictured: Kathy Ruth Neal, The Slippery Slope (1999) and Anne Grgich, Chesapeake (1997).

Venue announcements

Union College, Saint Mary’s College, and a fellow artist

  • Union College news, June 6, 2003: the show at the Mandeville Gallery in the Nott Memorial, June 26 – August 11, free and open to the public, illustrated with Ruby C. Williams’s painting. Read · saved copy, full text
  • Hearst Art Gallery, Saint Mary’s College of California: September 4 – October 17, 2004; 55 artists; organized and toured by ExhibitsUSA; curated by Cugno and Logan; with a family day on September 18, 2004. Resource Library copy (Wayback; the college’s own page is now login-only) · saved copy, full text
  • Myrtice West news release, September 14, 2004: West’s White Throne Judgment and its reverse, Mother of Harlots, were touring in the show through August 2005; the release counts 15 venues for the whole tour, four more than Sesow’s record lists. Read · saved copy, full text

Primary source

In his words

Matt Sesow’s statements as printed in the exhibition’s slide-set entry (Slide #10). These are the artist’s own words and are transcribed in full.

“I like intense colors and sharp lines to tell a moving story. I like the way cardboard holds oil paint and the way canvas burns my fingers and sands my nails as I scratch its surface. I enjoy the smell of linseed oil and turpentine as they fill my studio space. Painting takes all my energy and effort. It is the most important thing I do.”

On painting, 2001–2002

“[This painting] portrays a young girl/emerging woman being asked to give up her childhood faith, naïveté, and belief structure (represented by the bunny). The woman attempting to grab the bunny represents the pressure of conformity, organized religion, knowledge, and the path to adulthood. The three figures in the back represent society: the preceding generation, the nude woman, and the little girl’s future. The little girl is dressed in black because she hasn’t attained knowledge (yellow) nor enlightenment (orange) through life experiences. The painting is from the perspective of the girl, as she sees the others with orange eyes (ill intent) and is resisting giving up the bunny (although society, in the background, will make an easy grab for the bunny while her attention is on the naked figure).”

On Bunny Collector

Color key, from the statement above

  • Black: not yet reached knowledge or enlightenment
  • Yellow: knowledge
  • Orange: enlightenment
  • Orange eyes: ill intent
  • The bunny: childhood faith, naïveté, belief

For researchers

Research notes and open questions

Kept on this site

Saved copies of every source

Web pages disappear. Each outside source used on this page is saved here as a PDF with its title, publisher, date and original address, and was also submitted to the Internet Archive on October 11, 2026. Copyright remains with each publisher.

Cite this page

“Revelations and Reflections of American Self-Taught Artists (ExhibitsUSA tour, 2002–2005): Matt Sesow, Hellbound III and Bunny Collector.” Matt Sesow Career Chronicle, history.sesow.com, updated October 11, 2026. https://history.sesow.com/event-2002-revelations-and-reflections.html

Saved copies — every page, full text

Every outside source cited on this page, kept here as page images you can zoom and as complete, searchable text — so nothing depends on a link that may disappear. Use your browser’s Find (Ctrl/Cmd+F) to search all of it.

Saved copy · 2 pages

Revelations and Reflections of American Self-Taught Artists (Current Exhibitions)

Arkansas Arts Center, Little Rock · Web page, fall 2002 (archived November 7 and 17, 2002) · original address

Gives the venue (Decorative Arts Museum), dates (September 1 – October 20, 2002) and the count of

Revelations and Reflections of American Self-Taught Artists (Current Exhibitions), page 1
Page 1
Revelations and Reflections of American Self-Taught Artists (Current Exhibitions), page 2
Page 2

Click a page to open it — scroll or pinch to zoom, drag to move, arrow keys for the next page.

Full text

Text taken from the saved copy (where a page was only an image, it was machine-read and may contain errors — check against the page image before quoting). Copyright remains with the original publisher; kept for the historical record.

Archived copy for research · saved for the Matt Sesow Career Chronicle, history.sesow.com, October 11, 2026
Title: Revelations and Reflections of American Self-Taught Artists (Current Exhibitions)
Publisher: Arkansas Arts Center, Little Rock
Date: Web page, fall 2002 (archived November 7 and 17, 2002)
Original URL: http://www.arkarts.com/exhibitions/current_exhibitions_dam/exh_dam_revelations.asp
Also at:
https://web.archive.org/web/20021107171645/http://www.arkarts.com:80/exhibitions/current_exhibitions_dam/exh_dam
_revelations.asp
Why it matters: Gives the venue (Decorative Arts Museum), dates (September 1 – October 20, 2002) and the count of
66 works.
Copyright remains with the original publisher. Reproduced for reference and scholarship; contact sesow@sesow.com
with any request.

CURRENT EXHIBITIONS:
Revelations and Reflections of American Self-Taught Artists

S pirituality here is given accessible and vibrant expression by the hands of
American self-taught artists, artists who come from all walks of life and all regions
of the country. Free from the constraints of formal instruction and artistic
affiliations, these inspired individuals are bound together by an inner drive to
represent heaven, hell, and purgatory; heaven and hell on earth; the angels, devils,
and demons - those demons of society and those within their own hearts. This
exhibition includes sixty-six works and is a program of Exhibits USA, a National
Division of Mid-America Arts Alliance with the Arkansas Arts Council.
Revelations and Reflections of American Self-Taught Artists
Decorative Arts Museum
September 1-October 20, 2002

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ARKANSAS ARTS CENTER
9th & Commerce / MacArthur Park
P.O. Box 2137 - Little Rock, Arkansas 72203-2137
(501) 372-4000

© Copyright 2000 Arkansas Arts Center
All rights reserved.
All text and images are copyrighted and cannot be reproduced
without written permission from their respective owners.
Designed and Programmed by Aristotle®.

CURRENT EXHIBITIONS:
Revelations and Reflections of American Self-Taught Artists

Yvonne Wells: The Whole Armour of God II, 1996 quilted cotton

Top of Page
General Information | Calendar of Events | The Collection | Exhibitions
Education | Children's Theatre | Membership
Museum Shop | Restaurant
HOMEPAGE
CONTACT

ARKANSAS ARTS CENTER
9th & Commerce / MacArthur Park
P.O. Box 2137 - Little Rock, Arkansas 72203-2137
(501) 372-4000
© Copyright 2000 Arkansas Arts Center
All rights reserved.
All text and images are copyrighted and cannot be reproduced
without written permission from their respective owners.
Designed and Programmed by Aristotle®.

Saved copy · 17 pages

Exhibition Archive

Rutgers–Camden Center for the Arts (Stedman Gallery) · Web page, retrieved October 11, 2026 · original address

Lists the show at the Stedman Gallery, November 13, 2002 – January 11, 2003.

Exhibition Archive, page 1
Page 1
Exhibition Archive, page 2
Page 2
Exhibition Archive, page 3
Page 3
Exhibition Archive, page 4
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Exhibition Archive, page 5
Page 5
Exhibition Archive, page 6
Page 6
Exhibition Archive, page 7
Page 7
Exhibition Archive, page 8
Page 8
Exhibition Archive, page 9
Page 9
Exhibition Archive, page 10
Page 10
Exhibition Archive, page 11
Page 11
Exhibition Archive, page 12
Page 12
Exhibition Archive, page 13
Page 13
Exhibition Archive, page 14
Page 14
Exhibition Archive, page 15
Page 15
Exhibition Archive, page 16
Page 16
Exhibition Archive, page 17
Page 17

Click a page to open it — scroll or pinch to zoom, drag to move, arrow keys for the next page.

Full text

Text taken from the saved copy (where a page was only an image, it was machine-read and may contain errors — check against the page image before quoting). Copyright remains with the original publisher; kept for the historical record.

Archived copy for research · saved for the Matt Sesow Career Chronicle, history.sesow.com, October 11, 2026
Title: Exhibition Archive
Publisher: Rutgers–Camden Center for the Arts (Stedman Gallery)
Date: Web page, retrieved October 11, 2026
Original URL: https://rcca.camden.rutgers.edu/exhibition-archive/
Also at: https://web.archive.org/web/20261011153821/https://rcca.camden.rutgers.edu/exhibition-archive/
Why it matters: Lists the show at the Stedman Gallery, November 13, 2002 – January 11, 2003.
Copyright remains with the original publisher. Reproduced for reference and scholarship; contact sesow@sesow.com
with any request.

2019
Democratic Vistas: Whitman, Body, and Soul – Curated by Tyler Hoffman
May 29 – December 7
Departures – Rutgers University-Camden Department of Fine Arts Senior Thesis Exhibition
April 29 – May 17
Camden: Past, Present, Future
February 25 – April 18
Birthday Suit: Selections from the Rutgers Camden Collection of Art
January 14 – February 16

2018
Digital Trash – Curated by James Brown & Robert Emmons
September 10 – December 14
Pulp & Paper: Works on Paper from the Rutgers Camden Collection of Art
July 9 – August 10
Departures – Rutgers University-Camden Department of Fine Arts Thesis Exhibition
April 30 – May 18
Space Invaders – Curated by Leslie Kaufman
January 16 – April 18

2017
Picturing Camden
September 11 – December 15

Sharing Good Fortune
April 29 – May 17
Departures – Rutgers University-Camden Department of Fine Arts Thesis Exhibition
May 1 – May 19
Sharp-Tongued Figuration – Curated by Andrea Kirsh
January 17- April 20

2016
George Segal in Black and White
September 6 – December 10
Look Again: The Young People of Camden
May 25 – Aug 12
Departures – Rutgers University-Camden Department of Fine Arts Thesis Exhibition
May 2 – May 20
Electronic Literature: A Matter of Bits – Curated by James Brown & Robert Emmons
January 19- April 21

2015
Visions of Place: Complex Geographies in Contemporary Israeli Art – Curated by Martin Rosenberg
September 17 – December 13
Variables – Rutgers University-Camden Department of Fine Arts Thesis Exhibition
May 4 – May 21
Juvenile in Justice
March 4 – April 22
From the Digital Toolbox – Curated by Andrea Kirsh
January 12- February 20

2014
Sounds of Camden
September 29 – December 18

Camden Collects
July 7 – September 18
Senior Thesis – Rutgers University-Camden Department of Fine Arts
May 5 – May 23
Compulsive Narratives: Stories That MUST Be Told – Curated by Cheryl Harper
January 16- April 26

2013
Dark Eye Glances: Romantic Impluse in Landscape
November 11- December 20
Poe in Popular Culture: Selections from the Museum of Edgar Allen Poe, Richmond, VA November 11 – December
20
(re)collecting (re)construction: Scott Pellnat and Allen C. Topolski
September 9 – October 30
From Here to There: Parallel Trajectories
March 14 – April 24

2012
Ornament and Narrative: Women Artist of Eastern Diasporas
October 15 – December 15
Off the Wall: Selection from the
June 6 – August 17
Generation to Generation
May 7- 23
Cuentos Populares: Latino Folk Tales Illustrated by Latino Artists
March 7 – April 25
Exhibition with Stmopsium/DFA
January 18 – February 25

2011
Take a Walk on the Wild Side: Thomas Cole

November 9, 2011 – January 6, 2012
Assemblage (need title) exhibition opens to the public
September 6 – October 29
Framing the collection
June 8 – August 12
Generation to Generation
May 10 – May 25
Effecting Boundaries: Recent work by Rutgers-Camden Department of Fine Arts Facility
March 14 – April 23
ARTiculate: links Between Visual and Verbal Expression
January 18 – February 26, 2011

2010
Southern New Jersey Artists Redux
Otober18-December 17, 2010
Staff Selects: Rutgers-Camden Collection of Art
June 21 – October 9, 2010
Seeing Voices: The Visual Voice
March 15 – April 24, 2010
Beneath the Surface: Graphic Design from Iran
January 19 – February 27, 2010

2009
A Complex Weave: Women and Identity in Contemporary Art
September 8 – December 12, 2009
To Be Or Not To Be: A Painter’s Dilemma
March 30 – April 25, 2009
Documenting China: Contemporary Photography and Social Change
January 27 – March 22

2008

Interrupted Life: Incarcerated Mothers in the United States or Nature, Nurture and Modern Culture: Traditional
and Contemporary Roles of Mothers
November 3 – December 20, 2008
Creative Dialogues: Art, Campus & Community
July 1 – October 18, 2008
Site-Specific: Public Art at Rutgers-Camden
March 5 – April 26, 2008
Eldridge R. Johnson Park
March 5 – April 26, 2008

2007
A New Reality: Black-and White Photography in Contemporary Art
December 10 – February 23, 2008
Changing Identity: Recent Works by Women Artists from Viet Nam
Sept 4 – November 24, 2007
Miniature Worlds: Art from Ind
June 18 – Aug 11, 2007
Philip Glass ~ Music in Films
March 12 – April 28
Sharing Good Fortune ~Major Gifts to the Collection
March 12 – April 28
Gifts of American Masterworks
March 12 – April 28

2006
Art Across Curriculum or Drawing the Line ~ The Role of Art in Education
Dec 18 – February 24, 2007
Shared Visions ~ Young Curators
Picture Stories: A Celebration of African American Illustrators

July 19 – September 23, 2006
Pre Columbian Art from the Mississippi Museum of Art
May 17 – July 8, 2006
Growth: Christopher Freeman
April 13 – May 6, 2006
Untitled: Elizabeth Demaray
March 13 – April 8, 2006
Let Children Be Children: Lewis Wickes Hine’s Crusade Against Child Labor
March 13 – May 6, 2006
Creative Achievements: Visual Poetry
January 17 – February 25, 2006
Creative Exchanges: Artists in the Classroom
January 17 – February 25, 2006

2005
Recent Gifts to the Collection: Marilyn Arnold Palley & Reese Palley, and Paul Koether
October 31 – December 21, 2005
Shock Wave: Tapestries and Lithographs by June Wayne
October 31 – December 21, 2005
Playing Around: Toys Designed by Artists
September 6 – October 15, 2005
Recent Gifts to the Collection: Pat & Paul Stankard
September 6 – October 15, 2005
Whispers from the Walls
Jan 10 – Mar 12, 2005

2004
Time-Honored Traditions
Oct 13 – Dec 22, 2004

Creating Sacred Spaces in Transcultural New Jersey
Oct 13 – Dec 22, 2004
Allan Espiritu: Lady Madonna
Mar 1 – Mar 27, 2004
Li Tan: Digital & Primitive
Feb 2 – Feb 25, 2004
New Match: Contemporary Art and the Mathematical Instinct
Feb 2 – March 27, 2004

2003
Bold Improvisation: 120 Years of African-American Quilts
Oct 27 – Dec 17, 2003
Art in Transit: The Camden Trenton Light Rail Stations
Sept 2 – Oct 18, 2003
Hackl, Ketaing, Murada: Perfect Together
Sept 2 – Oct 18, 2003
Barbara Fiedler: Whispers from the Pines
May 14 – June 25, 2003
Out of the Fire
May 14 – June 25, 2003
Latin American Graphics: The Evolution of Identity from the Mythical to the Personal
Mar 26 – May 3, 2003
No Ordinary Land: Encounters in a Changing Environment
Jan 22 – Mar 15, 2003

2002
Revelations and Reflections of American /self-Taught Artists
Nov 13, 2002 – Jan 11, 2003
What Exit? New Jersey and Its Turnpike
Sept 3 – Oct 26, 2002

Hats and Headdresses
June 17 – Aug 10, 2002
Suspended in Time:

The Benjamin Franklin Bridge

May 6 – June 8, 2002
Never Never Land
Mar 4 – Apr 27, 2002
Wendell White: Landscape (improvisation (turbulence + solitude))
Jan 7 – Feb 16, 2002

2001
Shared Visions: Print Impressions
Nov 14 – Dec 22, 2001
Diana Gonzalez-Gandolfi: Time Divided
Oct 8 – Nov 10, 2001
Timeless Melodies: Musical Boxes and Automatice Instruments from the 19th & 20th Centuries
Oct 8, 2001 – Feb 16, 2002
On Miniature Wings: Model Aircraft from the National Air and Space Museum
July 9 – Sept 15, 2001
Albert Green: Master Potter
July 9 – Aug 11, 2001
Realities and Utopias
Mar 12 – Apr 28, 2001
Reflections in Black: Smithsonian African American Photography
Jan 16 – Mar 3, 2001

2000
Telling Tales
Sept 5 – Oct 7, 2000
Every Picture Tells a Story

Sept 5 – Nov 11, 2000
Spirit of the Mask
June 6 – July 29, 2000
Sculpture in the Rand
Mar 13 – Apr 29, 2000
Sowing Traditions: Homegrown in New Jersey
March 13 – April 29, 2000
William Hogarth: Images of 18th Century Life
Feb 9 – Mar 4, 2000
Sandra Milner: Work on Paper
Jan 18 – Feb 5, 2000
Digital Frontiers: Photography’s Future at Nash Editions
Jan 18 – Mar 4, 2000

1999
Dressler Smith: Oasis
Nov 10 – Dec 18, 1999
Stephanie Later: The Tie that Binds
Oct 4 – Nov 6, 1999
Women of the Nile
Oct 4 – Dec 18, 1999
Personal Edens: The Gardens and Film Sets of Florence Yoch
July 21 – Sept 25, 1999
Grand Designs
July 6 – Sept 25, 1999
Senior Thesis
Remembrances of the Holocaust
Mar 15 – May 1, 1999
do it!

Jan 19 – Mar 6, 1999

1998
Visual Poetry
Oct 5 – Dec 19, 1998
It’s Elemental: Images of Earth, Air, Fire, and Water
July 6 – Sept 26, 1998
Grounded in Nature
.July 6 – Sept 26, 1998
New Artists ’98
May 11 – 29, 1998
Paul Robeson: A Political Portrait 1948 – 1959
Mar 9 – May 2, 1998
John J. Giannotti; Recent Work
Feb 4-21 1998
Anna Moore – Chicago Design
Jan 12 – 31, 1998
Out of Print: British Printmaking 1946-1976
Jan 12 – Feb 28, 1998

1997
In Full View
Nov 3 – Dec 20, 1997
CLICK!
Nov 3 – Dec 20, 1997
All for Fun: Three Artists from the Rutgers Collection of Original Illustrations for Children’s Literature
Sept 2 – Oct 25, 1997
Dreams and Nightmares
Sept 2 – Oct 25, 1997

New Artists ’97
May 5 – 23, 1997
Breaking the Mold: New Forms for Traditional Arts
Mar 17 – Apr 26, 1997
Spirit Cloths of West Africa
Jan 21 – March 8, 1997

1996
Moving Through Memory: Caribbean Folk Arts in New Jersey
Oct 7 – Dec 20, 1996
Closed for Renovations
June 1 – Oct 6, 1996
Senior Thesis
May 13 – June 1, 1996
Rutgers National ’96 Works on/of Paper
Mar 11 – Apr 27, 1996
Mathematical Visions
Jan 16 – Mar 2, 1996

1995
Southern New Jersey Artists: X
Oct 30 – Dec 22, 1995
Louis Armstrong: A Cultural Legacy
Aug 7 – Oct 7, 1995
Senior Thesis
June 12 – July 1, 1995
Soviet Nonconformist Art from the Norton and Nancy Dodge Collection
Mar 6 – May 27, 1995
John J. Giannotti: Sacred Conversations

Jan 17 – Feb 25, 1995

1994
Southern New Jersey Artists: IX
Nov 7 – Dec 23, 1994
Short Films from Latin America
Sept 22 – Oct 27, 1994
Figments of the Imagination
June 13 – Oct 29, 1994
Senior Thesis
May 9 – 28, 1994
Rutgers National
Mar 7 – Apr 30, 1994
Out of Bounds
Jan 10 – Feb 26, 1994

1993
Good Stories Well Told: Video Art for Young Audiences
Nov 8 – Dec 18, 1993
New Jersey State Council on the Arts Fellowship Exhibition
Oct 18 – Dec 18, 1993
Poetry and Prose
June 7 – Oct 2, 1993
Senior Thesis
May 3 – 22, 1993
Undercurrents
Feb 22 – Apr 24, 1993

1992
Homage to Brussels: The Art of Belgian Posters 1895 -1915
Dec 7, 1992 – Feb 13, 1993
Artists/Teachers
Oct 12 – Nov 21, 1992
Perspectives on the Figure
June 8 – Oct 3, 1992
Senior Thesis
May 4 – 23, 1992
African-American Artists 1880-1987
Mar 16 – Apr 25, 1992
Rutgers National ’92: Works on Paper
Jan 13 – Mar 7, 1992

1991
The Hispanic Image in American Films
Oct 28 – Nov 18, 1991
Southern New Jersey Artists: VIII
Oct 14 – Dec 21, 1991
William M. Hoffman, Jr: Not Quite Classical
Aug 26 – Oct 5, 1991
Senior Thesis
May 6 – 25, 1991
Shaping the Tradition: New Directions in Glass
Mar 7 – Apr 27, 1991
Through the Path of Echoes: Contemporary Art in Mexico
Jan 14 – Feb 23, 1991

1990
Southern New Jersey Artists: VII
Nov 5, 1990 – Jan 5, 1991
Eye for I
Oct 1 – 20, 1990
Interiors & Exteriors
Sept 4 – Oct 27, 1990
9th Annual City of Camden Art Exhibition
June 11 – July 21, 1990
Senior Thesis
Rutgers National 90 Works on Paper
March 5 – April 28, 1990
Black Filmmakers
Feb 5 – 17, 1990

1989
Mathematical Visions
Dec 11, 1989 – Feb 17, 1990
Southern New Jersey Artists: VI
Oct 23 – Dec 2, 1989
Artists/Teachers
Sept 5 – Oct 14, 1989
8th Annual City of Camden Art Exhibition
June 12 – July 22, 1989
Senior Thesis
May 8 – 27, 1989
From Site to Sight: Anthropology, Photography, and the Power of Imagery
Mar 13 – Apr 29, 1989
Conspicuous Display

Jan 23 – Feb 25, 1989

1988
Southern New Jersey Artists: V
Nov 21 – Dec 23, 1988
World in Wire and Light
Oct 10 – Nov 12, 1988
Landscapes: Real and Imagined
Sept 6 – Oct 1, 1988
7th Annual City of Camden Art Exhibition
June 13 – July 23, 1988
William Zorach: Small Sculptures
May 9 – 27, 1988
Senior Thesis
May 9 – 27, 1988
Rutgers National 87/88 Works on Paper
Mar 7 – Apr 30, 1988
Southern New Jersey Artists: IV
Jan 25 – Feb 27, 1988

1987
Modern Redux: Critical Alternatives for Architecture in the Next Decade
Nov 21 – Dec 24, 1987
Artists/Teachers
Oct 12 – Nov 14, 1987
Rutgers-Camden Collection of Art
Sept 2 – Oct 3, 1987
6th Annual City of Camden Art Exhibition
June 8 – July 18, 1987

Sam Maitin
May 4 – 23, 1987
Senior Thesis
May 4 – 23, 1987
Ancient Inspirations
Mar 16 – Apr 25, 1987
Southern New Jersey Artists: III
Jan 26 – Mar 7, 1987

1986
A Decade of Collecting
Nov 24 – Dec 20, 1986
The Surrealist Tradition in Film
Nov 3 – 8, 1986
The Rutgers-Camden Collection of Art
Oct 20 – Nov 15, 1986
Andre Kertesz and Lucien Aigner: Photographs
Sept 2 – Oct 11, 1986
Camden City Art Show
May 5 – 24, 1986
Senior Thesis
May 5 – 24, 1986
Rutgers National 85/86 Works on Paper
Mar 10 – Apr 26, 1986
Artists/Teachers
Jan 20 – Feb 26, 1986

1985
Twenty-five Years of Discovery at Sardis

Nov 18 – Dec 21, 1985
Southern New Jersey Artists II
Oct 7 – Nov 9, 1985
Senior Thesis
Aug 12 – 17, 1985
Small /works: The Delaware Valley Chapter of Artists Equity
June 10 – July 13, 1985
Senior Thesis
May 6 – 25, 1985
Courtyard, Bazaar, and Temple: Traditions of Textile Expression in India
Mar 15 – Apr 27, 1985
Rutgers-Camden Art Student Show
Feb 4 – Mar 7, 1985
Senior Thesis
Jan 21 – 26, 1985

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Purvis Young exhibition history (purvisyoung.com)

Estate of Purvis Young (purvisyoung.com) · Retrieved October 11, 2026 · original address

Lists the tour venues by year (2002–2005) in Purvis Young's exhibition history.

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Archived copy for research · saved for the Matt Sesow Career Chronicle, history.sesow.com, October 11, 2026
Title: Bio
Publisher: Estate of Purvis Young (purvisyoung.com)
Date: Retrieved October 11, 2026
Original URL: https://purvisyoung.com/bio-2/
Why it matters: Lists the tour venues by year (2002–2005) in Purvis Young's exhibition history.
Copyright remains with the original publisher. Reproduced for reference and scholarship; contact sesow@sesow.com
with any request.

Born: February 4, 1943 in Liberty City, Miami, FL
Died: April 21, 2010 in Overtown, Miami, FL

Selected Exhibitions
2022-2024 “Purvis Young: Redux” Tampa Museum of Art, FL
2020 “Prophets and Angels”: Purvis Young & Édouard Vuillard, Shin Gallery New York, NY
2019 “Personal Strutures” Palazzo Mora, Venice, Italy
2019 “Purvis Young” solo exhibition Salon 94 Freemans, New York, NY
2019 “Purvis Young” solo exhibition James Fuentes LLC, New York, NY
2018/2019 “Purvis Young” solo exhibition, Rubell Family Collection, Miami, FL
2018 “History Refused to Die” Group Exhibition, Metropolitan Museum of Art, NYC
2017 “Revelations” Group Exhibition, Fine Arts Museum of San Francisco, CA
2015 “50 for 50,” LACMA, Los Angeles County Museum of Art. Los Angeles, CA
2012 “No More Truth Than The Illusions Of My Dreams: Don Quijote, El Ingenioso Caballero de La Mancha”
Galería Skot Foreman, San Miguel de Allende, México
2011 “The Faces of Young: The Purvis Young Art Exhibit”, Cheyney University, Reading, PA
2010 “Purvis Young + Grown and Sewn”, NY, NY
2009 “Highlights from the Permanent Collection”, Museum of Fine Art, St. Petersburg, FL
“Same Sweet Dream”, Dieu Donné, NY NY
2008 “The Figure Past and Present: Selections from the Permanent Collection”, Frost Art Museum, Miami, FL
“30 Americans”, Rubell Family Collection, Miami, FL
Morehouse College Permanent Installation, Atlanta, GA
“Protest: Purvis Young”, GalleryBar, New York, NY
“Hexagone (a hex is gone)”, MAS-Miami Art Space, Miami, FL
“Black: A Celebration of African American Art Sacramento-Area Collections,” 40 Acres Art Gallery & Cultural Center,
Sacramento, CA
2007 “Painted Protests”, Tampa Museum of Art, Tampa, FL
“Mixed Signals”, Ronald Feldman Gallery, New York, NY
“Self Taught: Seven African American Vernacular Artists”, Rebecca Randall Bryan Art Gallery, Costal Carolina

University, Conway, SC
“Compelling Visions: Florida Collects Folk Art”, Museum of Fine Arts, Sarasota, FL
2006 “Purvis Young: Paintings from the Street,” Boca Raton Museum of Art, Boca Raton, FL “Outsiders In Paradise:
Rev. Howard Finster and Company,” Cotuit Center For the Arts, Cotuit, MA “Miami in Transition,” Miami Art
Museum, Miami, FL “Inside the Outsider World: Folk Art from the Permanent Collection,” Polk Museum of Art,
Lakeland, FL “Outsider Art,” Art Access Gallery, Columbus, OH “The Mind of Young: Sketchbooks and Artist’s Books
by Purvis Young and Works from the Permanent Collection,” Miami-Dade Public Library, West Dade Regional
Library, Miami, FL
2005 “Coming Home! Self-Taught Artists, the Bible and the American South,” Museum of Fine Arts, Florida State
University, Tallahassee, FL , and The Museum of Biblical Art, New York, NY. Organized by The Art Museum,
University of Memphis, Memphis, TN “Purvis Young Urban Painter Retrospective 1969-2004,” Hurn Museum of
Contemporary Folk Art, Savannah, GA ”Rock Paper Scissors: American Collage Now,” The Fleisher/Ollman Gallery,
Philadelphia, PA “At This Time: Ten Miami Artists,” Rubell Family Collection, Miami, FL “African American
Masters: Highlights from the Smithsonian American Art Museum,” Utah Museum of Fine Arts, Salt Lake City, UT;
traveled to Spelman College Museum of Fine Arts, Atlanta, GA “Revelations and Reflections of American Self-Taught
Artists,” Museum of the Southwest, Midland, TX
2004 “Coming Home! Self-Taught Artists, the Bible and the American South,” The Art Museum, University of
Memphis, Memphis, TN “African American Masters: Highlights from the Smithsonian American Art Museum,”
Cincinnati Art Museum, Cincinnati, OH (traveled to Currier Museum of Art, Manchester, NH; The Delaware Art
Museum, Wilmington, DE; Long Beach Museum of Art, Long Beach, CA “Revelations and Reflections of American
Self-Taught Artists,” Paris Gibson Square Museum of Art, Great Falls, MT; traveled by ExhibitsUSA to Middlebury
College Museum of Art, Middlebury, VT; Hearst Art Gallery, Saint Mary’s College of California, Moraga, CA; and
Loveland Museum and Gallery, Loveland, CO “Recent Acquisitions: African American Art in the South,” The Morris
Museum of Art, Augusta, GA “African-American Art from MFAH Collection,” Museum of Fine Arts, Houston, TX
“Outside/In: American Self-Taught Art from the Mennello Museum of American Folk and the City of Orlando Folk Art
Collection,” The von Liebig Art Center, Naples, FL “Purvis Young: From the Rubell Family Collection,” The von
Liebig Art Center, Naples, FL
2003 “African American Masters: Highlights from the Smithsonian American Art Museum,” New York Historical
Society, New York, NY; traveled to Cheekwood Museum of Art, Nashville, TN; The Cummer Museum of Art &
Gardens, Jacksonville, FL “Revelations and Reflections of American Self-Taught Artists”, Southern Ohio Museum,
Portsmouth, OH “Purvis Young: Art and Real Life,” Gallery 721, Fort Lauderdale, FL “Purvis Young: Artists’ Books
from the Permanent Collection Featuring the Work of Purvis Young,” Miami-Dade Public Library, Main Library,
Miami, FL ”Young at 60, Paintings and Drawings by Purvis Young,” Miami-Dade Public Library, Main Library,
Miami, FL ”At 60: The Art of Purvis Young,” Skot Foreman Fine Art, Atlanta, GA “Outsider Art,” Fox-Martin Fine
Arts Gallery, Great Barrington, MA
2002 “Purvis Young: The Life I See”, Bass Museum of Art, Miami Beach, FL “Contemporary Folk Art: Treasures from
the Smithsonian American Art Museum,” High Museum of Art, Atlanta, GA “Recent Work: Purvis Young,” Fredric
Snitzer Gallery, Miami, FL “Ancestors: Origin of Community,” Lyric Theatre, Miami, FL “Revelations and Reflections
of American Self-Taught Artists,” The Arkansas Arts Center, Little Rock, AK, traveled to Stedman Art Gallery,
Camden, NJ “Urban Outsider and Visionary Folk: The Works of Purvis Young and Minnie Evans,” Museum of Art,
Fort Lauderdale, FL “Purvis Young Paintings and Books from the Permanent Collection,” Miami-Dade Public Library,
Culmer Overtown Branch, Miami, FL and Miami Beach Branch, Miami Beach, FL
2001 “Let It Shine: Self-Taught Art from The T. Marshall Hahn Collection,” High Museum of Art, Atlanta, GA
“Contemporary Folk Art: Treasures from the Smithsonian American Art Museum,” Tacoma Art Museum, Tacoma, WA;
traveled to The Art Museum at Florida International University, Miami, FL 2000 “A Convergent Voyage,” Skot
Foreman Fine Art, Ltd., Dania Beach, FL “Contemporary Folk Art: Treasures from the Smithsonian American Art
Museum,” Tampa Museum of Art, Tampa, FL ”Purvis Young,” at Kunst Koln, Galerie Karsten Greve, Cologne,
Germany

1999 “Purvis Young,” Springfield Museum of Art, Springfield, OH “Purvis Young: Walking Among the Peoples,”
Museum of Contemporary Art, Lake Worth, FL “Purvis Young,” Frederic Snitzer Gallery, Miami, FL “Self Taught
Artists of the 20th Century: An American Anthology,” Memorial Art Gallery of the University of Rochester, Rochester,
NY ;Wexner Center for the Arts, Ohio State University, Columbus, OH; and the Museum of American Folk Art, New
York, NY. Organized by the Museum of American Folk Art, New York City, NY
1998 “Self Taught Artists of the 20th Century: An American Anthology,” Philadelphia Museum of Art, Philadelphia,
PA. Organized by the Museum of American Folk Art, New York City, NY; traveled to High Museum of Art, Atlanta,
GA; and The Amon Carter Museum and the Modern Art Museum of Fort Worth, TX “Purvis Young: Painting the
Blues,” Springfield Museum of Art, Springfield, OH “Purvis Young,” Skot Foreman Fine Arts, Ltd., Dania Beach, FL
1997 “Pictured in My Mind: Contemporary American Self-Taught Art from the Collection of Dr. Kurt Gitter and Alice
Rae Yelen,” DeCordova Museum and Sculpture Park, Lincoln, MA “Bearing Witness: African-American Vernacular
Art of the South,” Schomburg Center for Research in Black Culture, New York, NY “Purvis Young-The Streets of
Overtown: Paintings on paper and scraps,” Armory Art Gallery, Department of Art and Art History, Virginia
Polytechnic Institute and State University, Blacksburg, VA ”Flying Free: Twentieth-Century Self-Taught Art from the
Collection of Ellin and Baron Gordon,” Abby Aldrich Rockefeller Folk Art Center, Williamsburg, VA “Purvis Young:
Paintings,” Pelegro Gallery, New Orleans, LA “Purvis Young: Paintings,” Leslie Muth Gallery, Santa Fe, NM
1996 “Souls Grown Deep: African American Vernacular Art of the South – The Arnett Collection,” Emory University
Museum, Atlanta City Hall East for the 100th Cultural Olympiad, Atlanta, GA “Purvis Young: Paintings,” American
Primitive Gallery, New York City, NY ”Purvis Young: Paintings, Drawings, Constructions and Books”, Janet Fleisher
Gallery, Philadelphia, PA “Wrestling With History: Selections from the Shelp Collection,” Sidney Myhkin Gallery,
Bernard Baruch College of The City University of New York, New York City, NY “Naives, Seers, Lone Wolves &
World Savers VIII,” Dean Jensen gallery, Milwaukee, WI 1995 “Passionate Views of the American South: Self Taught
Artists from 1940 to the Present,” Bass Museum of Art, Miami Beach, FL “Pictured In My Mind: Contemporary
American Self-Taught Art from the Collection of Dr. Kurt Gitter and Alice Rae Yelen,” Birmingham Museum of Art,
Birmingham, AL ”The Outside Eye: Contemporary Art of the South, from the Collection of George Lowe,” Polk
Museum of Art, Lakeland, FL “Rare Visions: Works by Expressionist and Self-Taught Artists,” Art and Culture Center
of Hollywood, Hollywood, FL “Contemporary Folk Art: A View from the Outside,” Nathan D. Rosen Museum Gallery,
Adolph and Rose Levis Jewish Community Center, Boca Raton, FL
1994 “Purvis Young: Books and Works on Paper,” Janet Fleisher Gallery, Philadelphia, PA “Passionate Visions of the
American South: Self-Taught Artists from 1940 to the Present,” New Orleans Museum of Art, New Orleans, LA
“Purvis Young”, Galerie Karsten Greve, Paris, France “Purvis Young: Art and Real Life,” Gallery 721, Fort
Lauderdale, FL “New Works, Galerie Moos, Toronto, Canada “Purvis Young,” Edward Thorpe Gallery, New York City,
NY “Purvis Young”, Ann Nathan Gallery, Chicago, IL “Street Vision: The Works of Purvis Young,” Center for the Arts,
Vero Beach, FL “Purvis Young: From the Street,” Art and Culture Center of Hollywood, Hollywood, FL 1992 “Purvis
Young,” Galerie Karsten Greve, Cologne, Germany “Purvis Young Works of Paper (The Books),” Ricco/Maresca
Gallery, New York City, NY “Sam Doyle, William Hawkins, Purvis Young.” Edward Thorpe Gallery, New York City,
NY

Selected Public Collections
ABCD (Art Brut Connaissance & Diffusion) Paris, France American Folk Art Museum, New York, NY
The Art Museum of Western Virginia, Roanoke, VA
Bass Museum of Art, Miami Beach, FL
Birmingham Museum of Art, Birmingham, AL
Block Museum of Art, Evanston, IL
Boca Raton Museum of Art, Boca Raton, FL
City of Miami, FL
City of Orlando Public Art Collection, Orlando, FL
The Corcoran Gallery of Art, Washington, DC
Fayette Art Museum, Fayette, AL
Federal Reserve Board of Atlanta, GA

Frost Museum of Art, Miami, FL
The Hampton University Museum, Hampton, VA
High Museum of Art, Atlanta, GA
House of Blues, Chicago, IL
House of Blues, Las Vegas, NV
House of Blues, Los Angeles, CA
House of Blues, Myrtle Beach, SC
House of Blues, New Orleans, LA
House of Blues, Orlando, FL
Hurn Museum of Contemporary Folk Art, Savannah, GA
Kentucky Folk Art Center, Morehead State University, Morehead, KY
Kohler Foundation, Kohler, WI
Lowe Art Museum, University of Miami, Coral Gables, FL
The Mennello Museum of American Art, Orlando, FL
Miami Art Museum, Miami, FL
Miami-Dade Public Library, Miami, FL
The Morris Museum of Art, Augusta, GA
Motorola Corporation, USA
Museum of Art, Fort Lauderdale, FL
The Museum for Biblical Art, New York, NY
Museum of Fine Arts, Houston, TX
Museum of Art, Deland, FLNaples Art Association, Naples, FL
National Museum of African American History & Culture (NMAAHC), Washington, DC
The Newark Museum, Newark, NJ
New Orleans Museum of Art, New Orleans, LA
Ogden Museum of Southern Art, University of New Orleans, New Orleans, LA
Philadelphia Museum of Art, Philadelphia, PA
Polk Museum of Art, Lakeland, FL
Rockford Art Museum, Rockford, IL
Rubell Family Collection, Miami, FL
Sackner Archives, University of Oregon, Portland, OR
Springfield Museum of Art, Springfield, OH
Smithsonian American Art Museum, Washington, DC
Studio Museum of Harlem, New York, NY
Tampa Museum of Art, Tampa, FL
Tufts University, MA
Virginia Museum of Fine Arts, Richmond, VA</li>
</ul>

Selected Exhibitions
Add Your Heading Text Here
Born: February 4, 1943 in Liberty City, Miami, FL
Died: April 21, 2010 in Overtown, Miami, FL

Biography
Selected Public Collections
2022-2024 “Purvis Young: Redux” Tampa Museum of Art, FL

2020 “Prophets and Angels”: Purvis Young & Édouard Vuillard, Shin Gallery New York, NY
2019 “Personal Strutures” Palazzo Mora, Venice, Italy
2019 “Purvis Young” solo exhibition Salon 94 Freemans, New York, NY
2019 “Purvis Young” solo exhibition James Fuentes LLC, New York, NY
2018/2019 “Purvis Young” solo exhibition, Rubell Family Collection, Miami, FL
2018 “History Refused to Die” Group Exhibition, Metropolitan Museum of Art, NYC
2017 “Revelations” Group Exhibition, Fine Arts Museum of San Francisco, CA
2015 “50 for 50,” LACMA, Los Angeles County Museum of Art. Los Angeles, CA
2012 “No More Truth Than The Illusions Of My Dreams: Don Quijote, El Ingenioso Caballero de La Mancha” Galería
Skot Foreman, San Miguel de Allende, México
2011 “The Faces of Young: The Purvis Young Art Exhibit”, Cheyney University, Reading, PA
2010 “Purvis Young + Grown and Sewn”, NY, NY
2009 “Highlights from the Permanent Collection”, Museum of Fine Art, St. Petersburg, FL ; “Same Sweet Dream”,
Dieu Donné, NY NY
2008 “The Figure Past and Present: Selections from the Permanent Collection”, Frost Art Museum, Miami, FL ; “30
Americans”, Rubell Family Collection, Miami, FL ; Morehouse College Permanent Installation, Atlanta, GA ; “Protest:
Purvis Young”, GalleryBar, New York, NY ; “Hexagone (a hex is gone)”, MAS-Miami Art Space, Miami, FL ; “Black:
A Celebration of African American Art Sacramento-Area Collections,” 40 Acres Art Gallery & Cultural Center,
Sacramento, CA
2007 “Painted Protests”, Tampa Museum of Art, Tampa, FL ; “Mixed Signals”, Ronald Feldman Gallery, New York,
NY ; “Self Taught: Seven African American Vernacular Artists”, Rebecca Randall Bryan Art Gallery, Costal Carolina
University, Conway, SC ; “Compelling Visions: Florida Collects Folk Art”, Museum of Fine Arts, Sarasota, FL
2006 “Purvis Young: Paintings from the Street,” Boca Raton Museum of Art, Boca Raton, FL ; “Outsiders In Paradise:
Rev. Howard Finster and Company,” Cotuit Center For the Arts, Cotuit, MA ; “Miami in Transition,” Miami Art
Museum, Miami, FL ; “Inside the Outsider World: Folk Art from the Permanent Collection,” Polk Museum of Art,
Lakeland, FL ; “Outsider Art,” Art Access Gallery, Columbus, OH ; “The Mind of Young: Sketchbooks and Artist’s
Books by Purvis Young and Works from the Permanent Collection,” Miami-Dade Public Library, West Dade Regional
Library, Miami, FL
2005 “Coming Home! Self-Taught Artists, the Bible and the American South,” Museum of Fine Arts, Florida State
University, Tallahassee, FL , and The Museum of Biblical Art, New York, NY. Organized by The Art Museum,
University of Memphis, Memphis, TN ; “Purvis Young Urban Painter Retrospective 1969-2004,” Hurn Museum of
Contemporary Folk Art, Savannah, GA ; ”Rock Paper Scissors: American Collage Now,” The Fleisher/Ollman Gallery,
Philadelphia, PA ; “At This Time: Ten Miami Artists,” Rubell Family Collection, Miami, FL ; “African American
Masters: Highlights from the Smithsonian American Art Museum,” Utah Museum of Fine Arts, Salt Lake City, UT;
traveled to Spelman College Museum of Fine Arts, Atlanta, GA ; “Revelations and Reflections of American SelfTaught Artists,” Museum of the Southwest, Midland, TX
2004 “Coming Home! Self-Taught Artists, the Bible and the American South,” The Art Museum, University of
Memphis, Memphis, TN ; “African American Masters: Highlights from the Smithsonian American Art Museum,”
Cincinnati Art Museum, Cincinnati, OH (traveled to Currier Museum of Art, Manchester, NH; The Delaware Art
Museum, Wilmington, DE; Long Beach Museum of Art, Long Beach, CA ; “Revelations and Reflections of American
Self-Taught Artists,” Paris Gibson Square Museum of Art, Great Falls, MT; traveled by ExhibitsUSA to Middlebury

College Museum of Art, Middlebury, VT; Hearst Art Gallery, Saint Mary’s College of California, Moraga, CA; and
Loveland Museum and Gallery, Loveland, CO ; “Recent Acquisitions: African American Art in the South,” The Morris
Museum of Art, Augusta, GA ; “African-American Art from MFAH Collection,” Museum of Fine Arts, Houston, TX ;
“Outside/In: American Self-Taught Art from the Mennello Museum of American Folk and the City of Orlando Folk Art
Collection,” The von Liebig Art Center, Naples, FL ; “Purvis Young: From the Rubell Family Collection,” The von
Liebig Art Center, Naples, FL
2003 “African American Masters: Highlights from the Smithsonian American Art Museum,” New York Historical
Society, New York, NY; traveled to Cheekwood Museum of Art, Nashville, TN; The Cummer Museum of Art &
Gardens, Jacksonville, FL ; “Revelations and Reflections of American Self-Taught Artists”, Southern Ohio Museum,
Portsmouth, OH ; “Purvis Young: Art and Real Life,” Gallery 721, Fort Lauderdale, FL ; “Purvis Young: Artists’ Books
from the Permanent Collection Featuring the Work of Purvis Young,” Miami-Dade Public Library, Main Library,
Miami, FL ; ”Young at 60, Paintings and Drawings by Purvis Young,” Miami-Dade Public Library, Main Library,
Miami, FL ; “At 60: The Art of Purvis Young,” Skot Foreman Fine Art, Atlanta, GA ; “Outsider Art,” Fox-Martin Fine
Arts Gallery, Great Barrington, MA
2002 “Purvis Young: The Life I See”, Bass Museum of Art, Miami Beach, FL ; “Contemporary Folk Art: Treasures
from the Smithsonian American Art Museum,” High Museum of Art, Atlanta, GA ; “Recent Work: Purvis Young,”
Fredric Snitzer Gallery, Miami, FL ; “Ancestors: Origin of Community,” Lyric Theatre, Miami, FL ; “Revelations and
Reflections of American Self-Taught Artists,” The Arkansas Arts Center, Little Rock, AK, traveled to Stedman Art
Gallery, Camden, NJ ; “Urban Outsider and Visionary Folk: The Works of Purvis Young and Minnie Evans,” Museum
of Art, Fort Lauderdale, FL ; “Purvis Young Paintings and Books from the Permanent Collection,” Miami-Dade Public
Library, Culmer Overtown Branch, Miami, FL and Miami Beach Branch, Miami Beach, FL
2001 “Let It Shine: Self-Taught Art from The T. Marshall Hahn Collection,” High Museum of Art, Atlanta, GA ;
“Contemporary Folk Art: Treasures from the Smithsonian American Art Museum,” Tacoma Art Museum, Tacoma, WA;
traveled to The Art Museum at Florida International University, Miami, FL 2000 ; “A Convergent Voyage” Skot
Foreman Fine Art, Ltd., Dania Beach, FL ; “Contemporary Folk Art: Treasures from the Smithsonian American Art
Museum,” Tampa Museum of Art, Tampa, FL ; “Purvis Young” at Kunst Koln, Galerie Karsten Greve, Cologne,
Germany
1999 “Purvis Young,” Springfield Museum of Art, Springfield, OH “Purvis Young: Walking Among the Peoples,”
Museum of Contemporary Art, Lake Worth, FL ; “Purvis Young” Frederic Snitzer Gallery, Miami, FL ; “Self Taught
Artists of the 20th Century: An American Anthology” Memorial Art Gallery of the University of Rochester, Rochester,
NY ;Wexner Center for the Arts, Ohio State University, Columbus, OH; and the Museum of American Folk Art, New
York, NY. Organized by the Museum of American Folk Art, New York City, NY
1998 “Self Taught Artists of the 20th Century: An American Anthology,” Philadelphia Museum of Art, Philadelphia,
PA. Organized by the Museum of American Folk Art, New York City, NY; traveled to High Museum of Art, Atlanta,
GA; and The Amon Carter Museum and the Modern Art Museum of Fort Worth, TX ; “Purvis Young: Painting the
Blues,” Springfield Museum of Art, Springfield, OH ; “Purvis Young,” Skot Foreman Fine Arts, Ltd., Dania Beach, FL
1997 “Pictured in My Mind: Contemporary American Self-Taught Art from the Collection of Dr. Kurt Gitter and Alice
Rae Yelen,” DeCordova Museum and Sculpture Park, Lincoln, MA ; “Bearing Witness: African-American Vernacular
Art of the South,” Schomburg Center for Research in Black Culture, New York, NY ; “Purvis Young-The Streets of
Overtown: Paintings on paper and scraps,” Armory Art Gallery, Department of Art and Art History, Virginia
Polytechnic Institute and State University, Blacksburg, VA ; “Flying Free: Twentieth-Century Self-Taught Art from the
Collection of Ellin and Baron Gordon,” Abby Aldrich Rockefeller Folk Art Center, Williamsburg, VA ; “Purvis Young:
Paintings,” Pelegro Gallery, New Orleans, LA “Purvis Young: Paintings,” Leslie Muth Gallery, Santa Fe, NM
1996 “Souls Grown Deep: African American Vernacular Art of the South – The Arnett Collection,” Emory University
Museum, Atlanta City Hall East for the 100th Cultural Olympiad, Atlanta, GA ; “Purvis Young: Paintings,” American
Primitive Gallery, New York City, NY ; “Purvis Young: Paintings, Drawings, Constructions and Books”, Janet Fleisher
Gallery, Philadelphia, PA ; “Wrestling With History: Selections from the Shelp Collection,” Sidney Myhkin Gallery,
Bernard Baruch College of The City University of New York, New York City, NY ; “Naives, Seers, Lone Wolves &
World Savers VIII,” Dean Jensen gallery, Milwaukee, WI 1995 ; “Passionate Views of the American South: Self Taught

Artists from 1940 to the Present,” Bass Museum of Art, Miami Beach, FL ; “Pictured In My Mind: Contemporary
American Self-Taught Art from the Collection of Dr. Kurt Gitter and Alice Rae Yelen,” Birmingham Museum of Art,
Birmingham, AL ; “The Outside Eye: Contemporary Art of the South, from the Collection of George Lowe,” Polk
Museum of Art, Lakeland, FL ; “Rare Visions: Works by Expressionist and Self-Taught Artists,” Art and Culture Center
of Hollywood, Hollywood, FL ; “Contemporary Folk Art: A View from the Outside,” Nathan D. Rosen Museum
Gallery, Adolph and Rose Levis Jewish Community Center, Boca Raton, FL
1994 “Purvis Young: Books and Works on Paper,” Janet Fleisher Gallery, Philadelphia, PA ; “Passionate Visions of the
American South: Self-Taught Artists from 1940 to the Present,” New Orleans Museum of Art, New Orleans, LA ;
“Purvis Young”, Galerie Karsten Greve, Paris, France “Purvis Young: Art and Real Life,” Gallery 721, Fort
Lauderdale, FL ; “New Works,” Galerie Moos, Toronto, Canada ; “Purvis Young,” Edward Thorpe Gallery, New York
City, NY ; “Purvis Young”, Ann Nathan Gallery, Chicago, IL ; “Street Vision: The Works of Purvis Young,” Center for
the Arts, Vero Beach, FL ; “Purvis Young: From the Street,” Art and Culture Center of Hollywood, Hollywood, FL
1992 ; “Purvis Young,” Galerie Karsten Greve, Cologne, Germany ; “Purvis Young Works of Paper (The Books),”
Ricco/Maresca Gallery, New York City, NY ; “Sam Doyle, William Hawkins, Purvis Young.” Edward Thorpe Gallery,
New York City, NY
1991 “Purvis Young,” Ricco/Maresca Gallery, New York City, NY ; “Purvis Young: Paintings, Books, Sculptures,” Joy
Moos Gallery, Miami, FL
1988 “Three From Miami: Carlos Alfonzo, Deborah Schneider, Purvis Young,” The John and Mable Ringling Museum
of Art, Sarasota, FL ; “Purvis Young,” Joy Moos Gallery, Miami, FL ; “Purvis Young: Me and My Mink,” Artists
Space, New York City, NY ; “Purvis Young: Books & Paintings,” Miami-Dade Public Library, Miami Lakes Branch,
Miami Lakes, FL
1987 “Purvis Young: Books & Paintings,” Miami-Dade Public Library, Homestead Branch, Homestead, FL ; “A
Separate Reality: Florida Eccentrics,” Museum of Art, Fort Lauderdale, FL; traveled to Valencia Community College,
East Campus and Performing Arts Center Galleries, Orlando, FL ; “Purvis Young,” Greene Gallery, Coral Gables, FL
1986 “Transculture Transmedia,” Exit Art, New York City, NY ; “Purvis Young Recent Works,” Artifacts Art Salon,
Miami, FL Artist completes Miami-Dade County commissioned Art In Public Places mural, Northside Metrorail
Station, Miami, FL
1985 “Burnt Toast,” Joy Moos Gallery, Miami, FL ; “Images of Everyday Life (Paintings and Books),” Miami-Dade
Public Library, Culmer/Overtown Branch, Miami, FL
1984 “Book Exhibition,” Katherine Markel, New York City, NY ; “Get Fresh,” Joy Moos Gallery, Miami, FL
1983 “Purvis Young: Books,” Miami-Dade Public Library System, Miami, FL Artist completes Mural for the MiamiDade Public Library, Main Library, Miami, FL 1981 ; “Purvis Young,” Miami-Dade Public Library System, MiamiDade Public Library, Miami Branch Branch, Miami Branch, FL
1977 “Contemporary Black Art: A Selected Sampling,” Florida International University Art Gallery, Miami, FL
1973 “Purvis Young,” Miami-Dade Community College North Campus, Miami, FL
1972 “Purvis Young,” Miami Museum of Modern Art, Miami, FL Young installs paintings on exterior walls of
buildings in Goodbread Alley, Overtown (Miami), FL

Selected Public Collections
ABCD (Art Brut Connaissance & Diffusion) Paris, France American Folk Art Museum, New York, NY
The Art Museum of Western Virginia, Roanoke, VA
Bass Museum of Art, Miami Beach, FL
Birmingham Museum of Art, Birmingham, AL
Block Museum of Art, Evanston, IL

Boca Raton Museum of Art, Boca Raton, FL
City of Miami, FL
City of Orlando Public Art Collection, Orlando, FL
The Corcoran Gallery of Art, Washington, DC
Fayette Art Museum, Fayette, AL
Federal Reserve Board of Atlanta, GA
Frost Museum of Art, Miami, FL
The Hampton University Museum, Hampton, VA
High Museum of Art, Atlanta, GA
House of Blues, Chicago, IL
House of Blues, Las Vegas, NV
House of Blues, Los Angeles, CA
House of Blues, Myrtle Beach, SC
House of Blues, New Orleans, LA
House of Blues, Orlando, FL
Hurn Museum of Contemporary Folk Art, Savannah, GA
Kentucky Folk Art Center, Morehead State University, Morehead, KY
Kohler Foundation, Kohler, WI
Lowe Art Museum, University of Miami, Coral Gables, FL
The Mennello Museum of American Art, Orlando, FL
Miami Art Museum, Miami, FL
Miami-Dade Public Library, Miami, FL
The Morris Museum of Art, Augusta, GA
Motorola Corporation, USA
Museum of Art, Fort Lauderdale, FL
The Museum for Biblical Art, New York, NY
Museum of Fine Arts, Houston, TX
Museum of Art, Deland, FLNaples Art Association, Naples, FL
National Museum of African American History & Culture (NMAAHC), Washington, DC
The Newark Museum, Newark, NJ
New Orleans Museum of Art, New Orleans, LA
Ogden Museum of Southern Art, University of New Orleans, New Orleans, LA
Philadelphia Museum of Art, Philadelphia, PA
Polk Museum of Art, Lakeland, FL
Rockford Art Museum, Rockford, IL
Rubell Family Collection, Miami, FL
Sackner Archives, University of Oregon, Portland, OR
Springfield Museum of Art, Springfield, OH
Smithsonian American Art Museum, Washington, DC
Studio Museum of Harlem, New York, NY
Tampa Museum of Art, Tampa, FL
Tufts University, MA
Virginia Museum of Fine Arts, Richmond, VA

Selected Bibliography
Arnett, William, Paul Arnett, and Lowery Sims. Souls Grown Deep Vol. 2: African American Vernacular Art. Atlanta,
GA: Tinwood Books, 2001.
Becker, Robert. “Art: Urban Renewal. Creating a Scene.” Andy Warhol’s Interview, Vol. 16 (XVI), no. 9, September
1986.
Bennett, Lennie. “Museum Gets 91- Painting Gift.” St. Petersburg Times, August 3, 2005.

Conwill, Kinshasha, and Arthur C. Danto. Testimony: Vernacular Art of the African-American South: The Ronald and
June Shelp Collection. New York: Harry N. Abrams, 2001.
Crown, Carol, editor; foreword by Lee Kogan. Coming Home! Self-Taught Artists, the Bible, and the American South.
Jackson, MS: The University Press of Mississippi/The Art Museum of the University of Memphis, 2004.
Damian, Carol. “The Unofficial Storyteller,” in Purvis Young, edited by Kenneth Plasket, Dania,FL: Skot Foreman
Fine Art, Ltd., 2000. (exh. catalogue)
Danto, Arthur C.; Elsa Weiner Longhauser, Jane Kallir, Michael D. Hall, Harald Szeemann, and Lee Kogan. SelfTaught Artists of the 20th Century: An American Anthology. New York: Museum of American Folk Art, 1999, pp 180186.
Delehanty, Randolph. Art in the American South: Works from the Ogden Collection. Baton Rouge: Louisiana State U
P, 1996.
Ebony, David. ”Trustees to Buy Contemporary Museum in Florida – Museum of Contemporary Art, Lake Worth,
Florida.” Art in America, June, 1999.
Everett, Gwen. African American Masters: Highlights from the Smithsonian American Art Museum. New York: Harry
N. Abrams Inc., 2003.
Feinstein, Roni. “Report from Miami: Part II – Miami Heats Up.” Art in America, November 1999, pp 58-59. (review)
Fine, Gary Alan. Everyday Genius: Self-Taught Art and the Culture of Authenticity. Chicago, IL: University of
Chicago Press, 2004.
Foreman, Skot. “Keeper of the Flame,” in Purvis Young, edited by Kenneth Plasket, Dania,FL: Skot Foreman Fine Art,
Ltd., 2000. (exh. catalogue)
Fox, Catherine. “Forever Young. A self-taught colorist shows expressionistic energy.” The Atlanta Journal-Constitution,
March 14, 2003. (review)
Gonzalez, Fernando. “Local artist is no longer an ‘outsider’,” The [Miami] Herald, May 13, 1999, pp.1E, E4.
Gordon, Ellin; and Barbara R. Luck, and Tom Patterson. Flying Free: Twentieth-Century Self-Taught Art from the
Collection of Ellin and Baron Gordon. Williamsburg, VA: Colonial Williamsburg Foundation and University Press of
Mississippi, 1997.
Harper, Paula. “Purvis Young,” in Purvis Young, Miami, FL: Joy Moos Gallery, 1992. __________. “Urban
Expressionist.” Art in America, January, 2003, p. 37. (review)
Hartigan, Lynda Roscoe. “Going Urban: American Folk Art and the Great Migration.” American Art magazine
[Smithsonian American Art Museum] Vol. 14, No. 2, Summer, 2000, pp. 26-51.
Hartigan, Lynda Roscoe. African-American Art: 19th and 20th-Century Selections. Washington, D.C.: National
Museum of American Art , n.d. (brochure)
Hay, David. “Art/Architecture: The Scene Heats Up Under the Miami Sun.” The New York Times, February 27, 2000.
Hersh, Allison. “Purvis Young and Ricardo Manuel Díaz offer a darker, deeper vision of folk art.” Savannah Morning
News, April 23, 2005. (review)
Husband, Bertha. “A Fine Dividing Line – Purvis Young & Ricardo Manuel Diaz at the Hurn Museum.” Connect
Savannah, April 20, 2005.
Laffal, Florence and Julius. American Self-Taught Art: An Illustrated Analysis of 20th Century Artists and Trends With
1,319 Capsule Biographies. Jefferson, NC: McFarland & Company, 2003.

Lunsford, Darcie. “Rubells Buy a Building From Liberty City.” South Florida Business Journal, November 19, 1999.
Meadows, Gail. “New Art Director [for the Rubell Collection].” The Miami Herald, November 18, 1999.
McEvilley, Thomas. “The missing tradition – African American art, Atlanta City Hall; Thornton Dial, Michael C.
Carlos Museum, Atlanta, Georgia.” Art in America, May, 1997. (review)
Maresca, Frank, and Roger Ricco with forward by Lanford Wilson. American Self-Taught: Paintings and Drawings by
Outsider Artists. New York: Alfred a Knopf, 1993.
Monroe, Gary. Extraordinary Interpretations: Florida’s self-taught artists. Gainesville, FL: University Press of Florida,
2003. (exh. catalogue)
Moreno, Gean. “Purvis Young’s Predicament.” Raw Vision: International Journal of Intuitive & Visionary Art. London:
Raw Vision Ltd, vol. 36, Winter 2000/2001.
Painter, Nell Irvin. Creating Black Americans: African-American History and its Meanings, 1619 to the Present. New
York, NY: Oxford University Press, 2007.
Patterson, Tom. Contemporary Folk Art: Treasures from the Smithsonian American Art Museum (Treasures from the
Smithsonian American Art Museum Series). New York, NY: Watson-Guptill Publications, 2001.
Pau-Llosa, Ricardo. “Miami: Glass Dragonfly,” [artists Carlos Alfonzo, Humberto Calzada, Enrique Castro-Cid,
Christine Federighi, Christopher Mangiaracina and Purvis Young], Art International, Vol.1, No.5, Winter 1988.
(review)
Purvis Young., Joy Moos Gallery, Inc. Miami, FL, 1993. (exh. catalogue)
Rosenak, Chuck and Jan Rosenak. Contemporary American Folk Art: A Collector’s Guide. New York: Abbeville Press,
1996. _____________. Museum of American Folk Art Encyclopedia of Twentieth Century American Folk Art and
Artists. New York: Abbeville Press, 1990.
Sanders, Vicki. “Like Rembrandt, I’m Walking Among the People,” The Miami Herald, February 2, 1983. (review)
Sellen, Betty-Carol with Cynthia J. Johanson. Outsider, Self taught, and Folk Art, Annotated Bibliography:
Publications and Films of the 20th Century, Jefferson, NC: McFarland & Co Inc., 2002. ________________. SelfTaught, Outsider, and Folk Art: A Guide to American Artists, Locations and Resources, Jefferson, NC: McFarland &
Co. Inc., 2000. ________________. Twentieth Century American Folk, Self Taught, and Outsider Art. New York, NY:
Neal-Schuman Publishers, 1993.
Shepherd, Lindy T. “Purvis of Overtown, directed by Shaun Conrad and David Raccuglia” in “Florida Film Festival
Reviews” Orlando Weekly, March 23, 2006
Smith, Roberta. “Art in Review: ‘The Outsider Art Fair’ The Puck Building Lafayette and Houston Streets SoHo
Through Sunday,” The New York Times, January 28, 1994. (review) Spriggs, Lynne E; Joanne Cubbs; Lynda Roscoe
Hartigan; Susan Mitchell Crawley; Michael E. Shapiro; Peter Harholdt. Let It Shine: Self-Taught Art From The T.
Marshall Hahn Collection. Atlanta: High Museum of Art, 2001.
Stevens, Isabel. “Rubell Family Collection.” Contemporary Magazine [London], Issue 80, 2006.
Tyehimba, Afefe L. “Tell My Horse: The Ancestral Spirits of Purvis Young,” in Purvis Young: Possession, edited by
Skot Foreman. Dania,FL: Skot Foreman Fine Art, Ltd., 2001.
Trechsel, Gail Andrews, editor. Pictured in My Mind: Contemporary American Self-taught Art from the Collection of
Kurt Gitter and Alice Rae Yelen. Birmingham: Birmingham Museum of Art, 1996.
Tresobares, Ceasar. Purvis Young/Me and My Mink. New York, NY: Artists Space, 1988. (exh. catalogue) Turner,
Elisa. “Miami: Purvis Young” ARTnews, December 1987. (review) __________. “Purvis Young, Frederick Snitzer,”

ARTnews, December 1999, pp 178,180. (review) __________. “Young American,” The Miami Herald, February 3,
2003. (review) __________. “With renovations at home, art collection hits the road.” The Herald, April 3, 2004.
Yelen, Alice Rae, Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present, New
Orleans Museum of Art, distributed by University Press of Mississippi, 1993.

Saved copy · 1 page

Mandeville show celebrates self-taught artists

Union College News, Schenectady, NY · June 6, 2003 · original address

Mandeville Gallery, Nott Memorial, June 26 – August 11, 2003.

Mandeville show celebrates self-taught artists, page 1
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Title: Mandeville show celebrates self-taught artists
Publisher: Union College News, Schenectady, NY
Date: June 6, 2003
Original URL: https://muse.union.edu/newsarchives/2003/06/06/mandeville-show-celebrates-self-taught-artists/
Also at: https://web.archive.org/web/20261011153915/https://muse.union.edu/newsarchives/2003/06/06/mandevilleshow-celebrates-self-taught-artists/
Why it matters: Mandeville Gallery, Nott Memorial, June 26 – August 11, 2003.
Copyright remains with the original publisher. Reproduced for reference and scholarship; contact sesow@sesow.com
with any request.

Mandeville show celebrates self-taught artists
Posted on Jun 6, 2003
“Let Us Have Your Attention Now Baby,” painting by Ruby C. Williams
Mandeville Gallery in the
Nott Memorial will mount “Revelations & Reflections of American Self-Taught
Artists,” from Monday, June 26 through Monday, August 11.
Viewers first encountering
these works might aptly compare them to the more familiar output of Anna Mary
“Grandma Moses” Robertson. Such self-taught or late-in-life artists are those whose
intuitive creativity is “unspoiled” by formal training or any specific school or
category. Such rubrics include visionary, primitive, memory painting, and folk
artists.
This exhibit reflects religious
concerns or spiritual themes, many in vibrant African American tradition. The artists
express their often-rural “old-time religion” roots in Sunday school sampler-type
“fire and brimstone” simplicity. Others render whimsical moral commentary,
such as the bright red, pointy-tailed “Demon Family at the Art Gallery.”
The variety of medium used
is no less astounding than the final products – beaver-cut wood, corrugated
cardboard, masonite, marker pens, leather, crayon, and honeysuckle vine to name
but a few. These ingenuous works reflect their creators' passionate spiritual
underpinnings as well as their brilliant resourcefulness in transforming the
simple materials found in their daily lives into authentic and memorable art.
Gallery hours are Monday through Thursday, 9
a.m. to 10 p.m.; Friday, 9 a.m. to 5 p.m.; Saturday, noon to 5
p.m.; Sunday, noon to 10 p.m. The exhibit is free and
open to the public.

Related

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On Display for September 12, 2003

Las Vegas Sun · September 12, 2003 · original address

Listing: the show at the UNLV Marjorie Barrick Museum until October 17.

On Display for September 12, 2003, page 1
Page 1
On Display for September 12, 2003, page 2
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On Display for September 12, 2003, page 3
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On Display for September 12, 2003, page 4
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On Display for September 12, 2003, page 5
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Archived copy for research · saved for the Matt Sesow Career Chronicle, history.sesow.com, October 11, 2026
Title: On Display for September 12, 2003
Publisher: Las Vegas Sun
Date: September 12, 2003
Original URL: https://lasvegassun.com/news/2003/sep/12/on-display-for-september-12-2003/
Also at: https://web.archive.org/web/20261011153958/https://lasvegassun.com/news/2003/sep/12/on-display-forseptember-12-2003/
Why it matters: Listing: the show at the UNLV Marjorie Barrick Museum until October 17.
Copyright remains with the original publisher. Reproduced for reference and scholarship; contact sesow@sesow.com
with any request.

On Display for September 12, 2003
Friday, Sept. 12, 2003 | 8:35 a.m.
Exhibit/reception
The stylized art of Latino artist Jorge Arturo Betancourt, "Polanco -- Flying Days," can be seen starting today until Oct.
15 at Sahara West Library, 9600 W. Sahara Ave. A reception will be held at 6 p.m. Monday at the library. Admission is
free. 507-3630.
Exhibit
Ten large-format paintings by master artist Olaf Rivera Gutierrez go on display from Thursday to Dec. 7 at West Las
Vegas Library, 951 W. Lake Mead Blvd. Admission is free. 507-3980.
Exhibit/reception
The Community College of Southern Nevada Fine Arts Gallery will exhibit artwork created by the CCSN fine arts
faculty starting today until Oct. 4 in the CCSN Fine Arts Gallery, 3200 E. Cheyenne Ave. A reception will be held from
1 p.m. to 3 p.m. today in the gallery. Admission is free. 651-4006.
Exhibit
Artist and composer Greg Hedden exhibits 27 compositional studies from Tuesday to Nov. 9 at the Rainbow Library,
3150 N. Buffalo Drive. A reception will be held at 6 p.m. Tuesday at the library. Admission is free. 507-3710.
Private collection
The private collection of the Duke and Duchess of Devonshire can be viewed from Saturday to Jan. 18 at the Bellagio
Gallery of Fine Art. Tickets are $15 general admission and $12 for students. 693-7871 or (877) 957-9777.
Exhibit
"A Pirate's Life" art show, featuring the work of 17 artists, begins Saturday and runs until the end of September at
Gallery Au Go-Go, 4972 S. Maryland Pkwy., Suite 11. Admission is free. 419-5681.
Show exhibit
"Global Shoes," an exhibit of shoes from more than 40 countries, opens Saturday at Lied Discovery Children's
Museum, 833 Las Vegas Blvd. North, and remains on view until Nov. 30. Admission is $6 for adults and $5 for
children 17 and under. 382-3445.
Photo exhibit

A collection of never-seen-before photographs taken by late director George Sidney will be displayed from Monday to
Oct. 4 in the Donna Beam Fine Art Gallery, Alta Ham Fine Arts Building on the UNLV campus. Admission is free.
895-3893.
Exhibit
Artist Walter Girotto's work will be displayed at the Las Vegas Art Museum, 9600 W. Sahara Ave., until Nov. 9.
Admission is free. 360-8000.
Dinosaur eggs
"The Tiniest Giants: Discovering Dinosaur Eggs," a renowned touring exhibit, is at the Las Vegas Natural History
Museum, 900 Las Vegas Blvd. North, until January 2004. Gallery hours are 9 a.m. to 4 p.m. seven days a week.
Admission is $6 for adults and $3 for children. 384-3466.
Art show
The Henderson Art Association presents the "Meet the Henderson Art Association Show" until Nov. 3 at Jitter's
Coffeehouse, 2295 N. Green Valley Pkwy. Admission is free.
Exhibit
Artwork by late artist Ronald Terry Amie will be displayed until Oct. 30 at the West Las Vegas Arts Center, 947 W.
Lake Mead Blvd. 229-4800.
Exhibit
Artist Sharon Allicotti will display her pastel artworks in a show entitled, "Wellspring from the Desert: Recent Works
on Paper," until Oct. 19 at the Charleston Heights Arts Center, 800 S. Brush St. Admission is free. 229-4674.
Photography
"Bushwick Farms Presents ..." the name of a new exhibition of fine art photography, will be on view until Sept. 28 at
the Contemporary Arts Collective, 101 E. Charleston Blvd. 382-3886.
Exhibit
The Henderson Art Association presents a late-summer art exhibit until Oct. 6 in the Rotunda Room of the Reflection
Bay Golf Club, 65 Mira Lago Blvd.
Portraits
"Native American Portraits," featuring the works of Jane Marquez, can be seen at Enterprise Library, 25 E. Shelbourne
Ave., until Nov. 18. Admission is free. 507-3760.
Exhibit
The UNLV Marjorie Barrick Museum, 4505 Maryland Pkwy., presents the exhibit, "Revelations and Reflections of
American Self-Taught Artists," until Oct. 17. 895-1402.
Drawings
Artist Sharon Rosse's large drawings will be exhibited until Nov. 2 at the Summerlin Library, 1771 Inner Circle Drive.
Touring exhibit
The "Tuskegee Airmen" touring exhibit stops at the Spring Valley Library, 4280 S. Jones Blvd., and will be on display
until Oct. 5. Admission is free. 507-3820.

'Colores'
Ninteen paintings by Mexican artist Judith Esparza will be featured in an exhibition ending Thursday at the Nevada
State Museum and Historical Society, 700 Twin Lakes Drive. Admission is $2 for adults and free for those under 18.
486-5205.
Exhibition
Artist Jonathan Puls exhibits his realistic paintings in a show entitled, "People, Places and Things," until Sept. 21 at the
Reed Whipple Cultural Center, 821 Las Vegas Blvd. North. Admission is free. 229-4674.
Neon exhibit
Get a look at the neon signs that lit Las Vegas history during an exhibit titled, "Neon Unplugged, Signs from the
Boneyard," which runs until Jan. 4 at the Nevada State Museum and Historical Society, 700 Twin Lakes Drive.
Admission is $2 for adults and free to those under 18. 486-5205.
'Desert Winds'
"Desert Winds," an art show by Maria Wurtz and Bernice Breedlove, can be seen at the Lost City Museum in Overton
during September. The museum is located on State Route 169 off I-15, exit #93. Admission is $2 and free for those
under 18. 397-2193.
'So Rare'
Artist Joe Clark's exhibit, titled, "So Rare," runs until Oct. 1 at Art @ the Funk House, 1228 S. Casino Center.
Admission is free. 678-6278.
Exhibit/reception
Artist Darius Kuzmickas will exhibit his pinhole camera photos until Oct. 29 at the Winchester Cultural Center, 3130
S. McLeod Drive. 455-7340.
Exhibit
Latino artist Dixie Salazar exhibits her collage and assemblage art until Oct. 19 at the Clark County Library, 1401 E.
Flamingo Road. 507-3400.
Exhibit
Artist Kat Tatz will exhibit portraits of women in a variety of graphite, oil, acrylic and other mediums until Oct. 14 at
the West Charleston Library, 6301 W. Charleston Blvd. Admission is free. 507-3940.
'Mother Road'
"Mother Road," an exhibit featuring Route 66, is at the Brunz Rosowsky Gallery, 103 E. Charleston Blvd., until the end
of December. 474-4123.
Floral photography
Artist Richard Bissett's touring exhibition, "Reflections in Nature," can be seen until Oct. 7 at Green Valley Library,
2797 N. Green Valley Pkwy. Admission is free. 507-3790.
Exhibit
The Southern Nevada office of the Nevada Arts Council presents an exhibition of Shipibo art by Peruvian native Elena
Nunta at 821 S. 7th St. through Sept. 30. Admission is free. 486-3700.

Photography
Local photographer Don Lytton exhibits images of old weathered buildings, doorways and windows until Sept. 28 at
Sunrise Library, 5400 Harris Ave. 507-3900.
'Hidden Visions'
Local artist Judith Link Ruth combines her calligraphy and watercolor in a show called "Hidden Visions," which runs
until Sunday at the Rainbow Library, 3150 N. Buffalo Drive. Admission is free. 507-3710.
Exhibition
Local artist Marion P. Hoekenga is the featured artist at the Art Guild Gallery inside the Boulder Dam Hotel, 1305
Arizona St., in Boulder City, until Sept. 30. Admission is free. 293-2138.
Exhibition
West Las Vegas Library, 951 W. Lake Mead Blvd., hosts an exhibit of paintings by Juan Varela featuring the color and
culture of Mexico until Tuesday. 507-3980.
Pop icons
An exhibit titled "American Pop Icons" runs until Nov. 2 at the Guggenheim Hermitage Museum at The Venetian, 3355
Las Vegas Blvd. South. 414-2212.
Jazz art
Artist Thaddeus Foster presents a touring exhibition of his works influenced by the music of jazz artist Miles Davis
through Sept. 30 at Whitney Library, 5175 E. Tropicana Ave. 507-4010.
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Events calendar, February 2004

Paris Gibson Square Museum of Art, Great Falls, MT · February 2004 (archived February 11, 2004) · original address

Lists the show opening February 2, 2004, alongside "Radiant Voices: Selections from the Volkersz

Events calendar, February 2004, page 1
Page 1

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Full text

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Archived copy for research · saved for the Matt Sesow Career Chronicle, history.sesow.com, October 11, 2026
Title: Events calendar, February 2004
Publisher: Paris Gibson Square Museum of Art, Great Falls, MT
Date: February 2004 (archived February 11, 2004)
Original URL: http://www.the-square.org/?p=events&mo=2&yr=2004
Also at: https://web.archive.org/web/20040211114256/http://www.the-square.org:80/?
p=events&&mo=2&yr=2004&daynow=0&sort=datetime&category=
Why it matters: Lists the show opening February 2, 2004, alongside "Radiant Voices: Selections from the Volkersz
Collection of Self-Taught Art."
Copyright remains with the original publisher. Reproduced for reference and scholarship; contact sesow@sesow.com
with any request.

Home Exhibitions Shopping Membership Event Calendar History Education Contact
Calendar
Select a month and day from the below menus, or, click on a day on the
calendar to the right (calendar days highlighted in blue contain events). The
events can be narrowed down by using the menu to the right of the calendar.
Items can also be sorted by clicking on the appropriate underlined header.

February 2004
Su Mo Tu We
1 2
3 4
8 9
10 11
15 16 17 18
22 23 24 25
29

Date/Time Title Type
February 2, 2004
10:00 AM Revelations and Reflections of American Self-Taught Artists
10:00 am Radiant Voices: Selections from the Volkersz Collection of Self-Taught Art
10:00 am James Bason: Recent Work
February 7, 2004
5:30 pm
Moonlight in Morocco
February 11, 2004
5:30 pm
Exhibition Reception: James Bason: Recent Work
February 13, 2004
6:30 PM Valentine's Day Gallery Dinner
February 16, 2004
10:00 am Closed on President's Day
February 26, 2004
12:00 PM Exhibition Reception and Wine Tasting

Th
5
12
19
26

Fr
6
13
20
27

Sa
7
14
21
28

Exhibition
Exhibition
Exhibition
Special Event
Exhibition Reception
Gallery Dinner
Holiday
Exhibition Reception

Copyright © 2002 Paris Gibson Square Museum of Art
Nichole Fausey, Shahram Khosraviani, Fausey Incorporated, FauseyDoesIT, Web Development, Great Falls Montana,
St.Thomas, 1Click Solutions, Great Falls Baha'is, Design Fausey Inc, NicholeFausey, Fausey Incorporated,
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Saved copy · 3 pages

Middlebury College 2003-2004 arts season features dynamic new artists, returning favorites, exhibitions, films

Middlebury College, Middlebury, VT · August 29, 2003 · original address

Middlebury College Museum of Art: the show opens May 20 and runs through August 11 (2004).

Middlebury College 2003-2004 arts season features dynamic new artists, returning favorites, exhibitions, films, page 1
Page 1
Middlebury College 2003-2004 arts season features dynamic new artists, returning favorites, exhibitions, films, page 2
Page 2
Middlebury College 2003-2004 arts season features dynamic new artists, returning favorites, exhibitions, films, page 3
Page 3

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Archived copy for research · saved for the Matt Sesow Career Chronicle, history.sesow.com, October 11, 2026
Title: Middlebury College 2003-2004 arts season features dynamic new artists, returning favorites, exhibitions, films
and events
Publisher: Middlebury College, Middlebury, VT
Date: August 29, 2003
Original URL: https://www.middlebury.edu/announcements/2003/08/middlebury-college-2003-2004-arts-seasonfeatures-dynamic-new-artists-returning-favorites
Also at: https://web.archive.org/web/20261011154053/https://www.middlebury.edu/stories/archive/2003/08/middleburycollege-2003-2004-arts-season-features-dynamic-new-artists-returning
Why it matters: Middlebury College Museum of Art: the show opens May 20 and runs through August 11 (2004).
Copyright remains with the original publisher. Reproduced for reference and scholarship; contact sesow@sesow.com
with any request.

August 29, 2003
MIDDLEBURY, Vt.—Middlebury College launches its arts season this fall with three days of events dedicated to the
tercentenary of the Russian city of St. Petersburg. The Nicholas R. Clifford Symposium, “What Became of Peter’s
Dream? Petersburg in History and the Arts,” runs Sept. 18-20 and features a lecture, panel discussions, a concert, a film
and related exhibitions highlighting Peter the Great, Petersburg and early 20th century Russia.
The exhibitions will take place from Sept. 19-Dec. 7 at the Middlebury College Museum of Art. On display will be
“What Became of Peter’s Dream? Court Culture in the Reign of Nicholas II,” a collection of ceremonial artifacts,
religious objects, luxurious household items, and family portraits and memorabilia designed by Fabergé and other
Russian gold and silversmiths.
The museum will also host “City of Shadows: Photographs of Petersburg by Alexey Titarenko.” Using long exposure
times, the photographer captured scenes of Petersburg’s architectural monuments, people and weather. The collection
has toured Russia, Europe and other cities in the United States.
Performing Arts Series
The Middlebury College Performing Arts Series lineup for 2003-04 offers an eclectic array of performers both fresh
and familiar to local audiences. Mamadou Diabate who hails from West Africa is one such new act. Born in Kita, Mali,
Diabate plays the kora, a 21-string harp-lute. Accompanied by two other instrumentalists and a vocalist, Diabate serves
up his native music now influenced by American jazz and blues Oct. 4.
A 19-year-old German violinist takes center stage at the College’s Concert Hall Nov. 9. Julia Fischer has been called a
prodigy and is working her way across Europe and the U.S. She recently debuted with the New York Philharmonic and
has played recitals in Amsterdam and London’s Wigmore Hall. Fischer and pianist Robert Kulek will play a program of
sonatas by Brahms, Debussy, Beethoven and Prokofiev.
The renowned Takács Quartet has become a sellout highlight with Middlebury audiences in recent years. One of the
world’s foremost string quartets, known for its recordings of Bartók and Beethoven, the Takács Quartet is based at the
University of Colorado. The foursome returns April 16 for an all-Beethoven program.
Later in April, the Performing Arts Series brings the prolific and legendary recording artist, recitalist and concert
performer Krystian Zimerman to the Concert Hall stage. His lifelong passion for the piano?he often travels with his
own?is evident in the sheer volume of his recordings and his vigorous touring schedule that takes him throughout
Europe and the U.S. regularly. He performs April 27.
Dance
Dancer, actress and cultural historian Brenda Dixon Gottschild returns to Middlebury with her husband, choreographer
and master modern dance teacher Hellmut Gottschild, for a series of events Oct. 1-3. His master class for actors and

dancers Oct. 1 is free and open to the public, who can observe or participate. Oct. 2, Dixon Gottschild’s lecture will
touch on how cultural realities are embodied and overlooked in performance. Afterward, she will sign copies of her
latest book, “The Black Dancing Body: A Geography From Coon to Cool.”
Finally, Oct. 3, the pair will perform an original movement-theatre piece, as part of the Performing Arts Series, focused
on issues of race, gender, nationality, memory and guilt within the perspective of one couple. “Tongue Smell Color”
promises to be sensuous, humorous and provocative, giving voice to familiar fantasies, biases and taboos often hidden
by society. The artists plan a discussion with the audience afterward.
Thanks to funding from the Expeditions Program of the New England Foundation for the Arts and the Performing Arts
Series, the Middlebury arts community welcomes Ronald K. Brown, one of America’s foremost contemporary dance
choreographers, and his company, Evidence, to campus with three days of events on March 10-12. The public is
welcome to observe an open rehearsal, and view or participate in a master class alongside Middlebury College dance
students during the residency.
From March 11-12, the dance troupe performs Brown’s new work, “Come Ye,” inspired by the work and legacy of
Nina Simone. A second work, “Walking Out the Dark,” is based on poems and letters Brown wrote following his
mother’s death in 1996 and is set to a score by Philip Hamilton, a member of the Middlebury class of 1982.
Another season highlight is the Dance Company of Middlebury’s performances on Feb. 20-21. The ensemble plans a
variety of new works with guest choreographers that include Paul Matteson, a 2000 Middlebury alumnus. Faculty
member Andrea Olsen directs the program based on her experiences in New Zealand as a Fulbright Scholar.
Theatre
The department of theatre and dance teams up with the Performing Arts Series in January to present “Capsize”
performed by Sprung, an international movement theater company led by Julie Beavers and Jon Sherman, a member of
the Middlebury class of 1994. The production explores a foundering relationship through the metaphor of a capsizing
ship and is slated for Jan. 17.
Middlebury playwright Dana Yeaton brings a freshly revised adaptation of Vermont writer Chris Bohjalian’s
“Midwives” April 29-May 1. The play tells the story of a Vermont midwife on trial for manslaughter after a
complicated labor and delivery go awry.
Another emotional tale is served up in “Perfect Pie” by Judith Thompson, presented by the department of theatre and
dance Oct. 23-25. The story of an afternoon reunion between two long-estranged women brings out a haunting memory
from their teenage past. “Perfect Pie” is appropriate for mature audiences.
Student Talent
Audiences eager to glimpse upcoming student talent at Middlebury College will have opportunities to sample both
visual and performing arts. The Middlebury College Orchestra will perform several free concerts this year starting on
Oct. 10, as will conductor Jeff Rehbach and the Middlebury College Chamber Singers, who plan an a cappella choral
concert Nov. 8, and another April 24.
The 37th Annual Student Art Exhibition runs May 6-23. The free exhibit showcases the best work of graduating
students in studio art including paintings, prints, photography and sculpture created during the 20032004 academic year.
Museum
Also in May, two exhibitions open at the Middlebury College Museum of Art for the summer offering a variety of
expression. “Revelations and Reflections of American Self-Taught Artists” presents the works of artists from all walks
of life depicting heaven, hell, purgatory, angels, devils and demons. The pieces include paintings and sculpture.

“Vermont in 1904: A Photographic Portrait” features the work of amateur photographer A. B. Lane, whose images of
early 20th century Vermont include scenes in Barre, and on Lake Champlain and Camels Hump. The exhibit also draws
upon student research.
Both exhibits open May 20 and run through Aug. 11.
Film
Film enthusiasts have come to rely on Middlebury’s Hirschfield Film/Video Series for an eclectic mix of American and
foreign films in 35-millimeter format. More than 20 award-winning independent films from the U.S. and around the
world are scheduled this season. One highlight is the Sept. 27 showing of the art-house success “Bend It Like
Beckham,” which tells the touching coming-of-age story of a teenage Indian girl in Britain who longs to play soccer
like David Beckham despite her very traditional parents who do not approve of soccer as a girl’s sport.
Films in the Hirschfield Film/Video Series are shown free twice on Saturdays?once at 3 p.m. and again at 8 p.m., in
Dana Auditorium in Sunderland Language Center on College Street (Route 125).
Tickets, Program and Dinner Information
Performing Arts Series tickets are $12 for regular admission and $10 for seniors. Department events are $5 for regular
admission and $4 for seniors. Many events are also free. Pre-performance dinners for select engagements take place at
Rehearsals Cafe in the Center for the Arts.
Information; dinner reservations; tickets for all music, theatre and dance performances; a free color 2003-2004
Middlebury College arts calendar and the free quarterly newsletter, “Arts at Middlebury College,” are all available
through the College’s box office at 802-443-6433. Patrons also can visit the Center for the Arts on the Internet at
www.middlebury.edu/arts to order tickets or sign up for Middlebury College Arts Mail, an electronic information
service that delivers e-mail updates on arts and cultural events.
Museum exhibition information is available by calling 802-443-5007 or visiting the museum’s Web site at
www.middlebury.edu/arts/museum. Hours are Tuesday through Friday from 10 a.m.-5 p.m., and Saturday and Sunday
from 12 p.m.-5 p.m. Museum admission is free.
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Saved copy · 2 pages

Revelations and Reflections of Self-Taught Artists

Resource Library (Traditional Fine Arts Organization), from material provided by the Hearst Art Gallery, · 2004 · original address

Hearst Art Gallery, Moraga, CA, September 4 – October 17, 2004; 55 artists; curators Robert Cugno

Revelations and Reflections of Self-Taught Artists, page 1
Page 1
Revelations and Reflections of Self-Taught Artists, page 2
Page 2

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Full text

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Archived copy for research · saved for the Matt Sesow Career Chronicle, history.sesow.com, October 11, 2026
Title: Revelations and Reflections of Self-Taught Artists
Publisher: Resource Library (Traditional Fine Arts Organization), from material provided by the Hearst Art Gallery,
Saint Mary's College of California
Date: 2004
Original URL: https://tfaoi.org/aa/4aa/4aa521.htm
Also at: https://www.stmarys-ca.edu/museum-art/revelations-and-reflections-of-self-taught-artists
Why it matters: Hearst Art Gallery, Moraga, CA, September 4 – October 17, 2004; 55 artists; curators Robert Cugno
and Robert Logan.
Copyright remains with the original publisher. Reproduced for reference and scholarship; contact sesow@sesow.com
with any request.

Editor's note: The Hearst Art Gallery at Saint Mary's College provided source material to Resource Library Magazine
for the following article or essay. If you have questions or comments regarding the source material, please contact the
Hearst Art Gallery at Saint Mary's College directly through either this phone number or web address:
925-631-4379
http://gallery.stmarys-ca.edu./

Revelations and Reflections of Self-Taught Artists
September 4 - October 17, 2004

Spirituality, a theme central to art for as long as humans have been engaged in the creative process, is given accessible
and vibrant expression in Revelations and Reflections of Self-Taught Artists, opening on September 4, 2004 at the
Hearst Art Gallery at Saint Mary's College in Moraga.
Art historians and critics have grappled with descriptive terms for artists without formal training since the days of
Grandma Moses. They have been labeled self-taught, outsider, naïve, visionary, vernacular, or folk artists. From
preachers to prisoners to social isolates, these fifty-five self-taught artists come from all walks of life and all regions of
the country. While prophetic and apocalyptic depictions of heaven, hell, purgatory, angels, devils, and demons abound,
powerful personal and societal issues of poverty, sexual brutality, and racism are confronted with a raw boldness and
often with humor. Removed from the formal conventions of art, these artists have intuitively mastered the elements of
color, form, composition, and texture. Ironically, self-taught artists have profoundly influenced the mainstream art
world, particularly by their use of unexpected materials and by deft ability to mix text and images.
Many self-taught artists have a profound influence on family members, who also take up the making of art. Reverend
Howard Finster and his son, Michael Finster, and Mose Tolliver and his daughter, Annie Tolliver, are two of the family
groups represented in the exhibition. Other artists on view include Ronald and Jesse Cooper, Matryce West, and Jane
Winkelman. In addition to paintings, drawings, sculptures, and ceramics, the exhibition includes ingenious
constructions assembled from eclectic materials including tin, fabric, glass, gas heaters, shoes, doors, mud, bones, and
tree roots.
Re-opening in the Keith Room is a selection of cigar box and panel paintings from the 1890s through 1909 from the
College collection and private lenders by late 19th century master landscape artist William Keith (1838-1911). The
miniature Keith paintings and frames have recently been conserved; most are on public view for the first time. A
display of professional conservation materials and methods used to maintain oil on wood paintings is also on view.

On Saturday, September 18, 2004, people of all ages are invited to Family Day: Recycled Art. Inspired by some of the
unorthodox and reused materials in "Reflections and Revelations of Self-Taught Artists," and in the Keith Room, create
constructions out of recycled materials. Visitors may draw from life, make a print, or turn an old shoebox into a work
of art or scraps of wood into a birdhouse. Popular East Bay art teachers will lead the hands-on activities from 2 until 5
p.m. in the Art Gallery courtyard and the Brother Kyran Art Room.
Revelations and Reflections of American Self-Taught Artists is curated by Robert Cugno and Robert Logan, directors of
Media Gallery in Garnett, Kansas. The exhibition is organized and toured by ExhibitsUSA. The purpose of
ExhibitsUSA is to create access to an array of arts and humanities exhibitions, nurture the development and
understanding of diverse art forms and cultures, and encourage the expanding depth and breadth of cultural life in local
communities. ExhibitsUSA is a national division of Mid-America Arts Alliance, a private, nonprofit organization
founded in 1972.
Editor's note: RLM readers may also enjoy these articles and essays:
Point of View: American Folk Art From the William and Ann Oppenhimer Collection (6/30/04)
Collected Visions: African American Self-Taught Artists from the Southeastern United States (1/28/04)
African American Self-Taught Art: High Museum of Art Collection (1/18/00)
Self Taught Artists of the Twentieth Century (6/2/99)
Self-Taught Artists of the 20th Century: An American Anthology (4/4/98)
Self Taught Texas Artists

Read more articles and essays concerning this institutional source by visiting the sub-index page for the Hearst Art
Gallery in Resource Library Magazine.

Visit the Table of Contents for Resource Library Magazine for thousands of articles and essays on American art,
calendars, and much more.
Copyright 2003, 2004 Traditional Fine Arts Organization, Inc., an Arizona nonprofit corporation. All rights reserved.

Saved copy · 8 pages

Museum of the Southwest newsletter, March–May 2005

Museum of the Southwest newsletter, March–May 2005, page 1
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Museum of the Southwest newsletter, March–May 2005, page 2
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Museum of the Southwest newsletter, March–May 2005, page 3
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Museum of the Southwest newsletter, March–May 2005, page 4
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Museum of the Southwest newsletter, March–May 2005, page 5
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Museum of the Southwest newsletter, March–May 2005, page 6
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Museum of the Southwest newsletter, March–May 2005, page 7
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Museum of the Southwest newsletter, March–May 2005, page 8
Page 8

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Full text

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MUSEUM OF THE SOUTHWEST
Juliette and Fred Turner, Jr. Memorial Gallery • Marian Blakemore Planetarium • Fredda Turner Durham Children’s Museum

Revelations and Reflections
of American Self Taught Artists
April 7 – May 25, 2005

South Wing Galleries

S

pirituality, a major theme in art for
as long as humans have made art, is
given accessible and vibrant
expression by American self-taught
artists, who come from all walks
of life and from all regions
of the country. Free of the
constraints of formal
instruction and artistic
affiliation, the “tie that
binds” these inspired
individuals is an inner
drive to represent heaven and hell, and
angels, devils, and
demons
— the
demons
of society and
those within their own
hearts. Religious themes and imagery
are often found in the work of self-taught
artists. For many of them, religious fervor
is what initially impelled them to create.
Some describe their work as a gift from
God and try to use it to get their message

out, as if from a pulpit.
The Reverend Howard Finster is
undoubtedly America's best-known selftaught artist, who took up artistic pursuits as a result of a religious impulse. He
began creating religious paintings on
found materials at the age of 60 and produced thousands of works

er, with works by artists such as: Leroy
Almon, Sr., Johnny Banks; Michael
Banks, Eddie Breen, Brian Dowdall,
Minnie Evans, Woodie Long, Frank
Pickle, Lorenzo Scott, Annie Tolliver,
Myrtice West, and Purvis Young. The
exhibit features 66 works.

Kathy Ruth
Neal, “The
Slippery
Slope,”
1999,
carved
basswood,
metal,
newsprint,
acrylic, 7
3/4 x 20 x 5 1/2

until his death
in 2001. The exhibit also
includes works by Howard Finster’s
son Michael and daughter Annie togeth-

Art Museum

Children’s Museum

Planetarium

Museum News

2-3

4

5

6-7

Exhibit schedule subject to change

MARCH, APRIL, MAY 2005

ART MUSEUM
Midland Arts Association Spring Show
March 3 - April 3, 2005

Turner/Thomas Galleries
Museum of the Southwest.
rganized by the
Ann Armstrong will
Midland Arts
jury this year’s exhibition.
Association in cooperaTrained in the fundation with the Museum
mentals at the Kansas
of the Southwest, this
City Art Institute, her
annual juried exhibirepresentational bronze
tion will feature
and stoneware sculpapproximately 85
tures are well-known
works by area and
for their portrayal of
regional artists. Media
human emotion. A
will include oil, acrylic,
popular workshop
watercolor, mixedinstructor, Ann will
media, photograconduct a series of
phy, pastel, and
Artists’ Reception
workshops at the
three-dimensional
March 3
Midland Palette
works in sculpture
7 - 9 p.m.
Club on March 4,
and pottery. The
5, and 6. For more
exhibition will be
workshop information, contact Doris
celebrated with an artists’ reception on
Spires, 432-682-8401 or Nancy
Thursday, March 3 from 7 - 9 p.m. in the
Henderson, 432-697-2479.
Turner and Thomas Galleries at the

O

Tom Lea, “Winter in New Mexico,” 1933, oil on
board, 26 1/8”x22 1/8”

Light from the Sky:
A Tom Lea Retrospective
Continuing thru March 13, 2005

South Wing Galleries

Student Art Festival

B

orn in El Paso, Texas, in 1907, Lea
studied for three years at the School of
the Art Institute of Chicago. During the
Great Depression, he painted murals in
Washington, D.C., Texas, Missouri, and
New Mexico for the Works Progress
Administration (WPA). By World War II,
his illustrations had attracted the attention
of publisher Henry Luce, who hired him as
a war correspondent for Life magazine.
Lea returned to El Paso following the
war and took up a writing career alongside
his painting. He produced six books over
the next 20 years. While Lea primarily
focused on regional imagery of the
American Southwest, his themes are universal, and all viewers will find much to
appreciate in this exhibition.
--Light from the Sky is organized and toured by
ExhibitsUSA, a national division of Mid-America Arts
Alliance, a private, nonprofit organization founded in
1972.
Sponsored in part by Harriet & Harvey Herd and
Jane C. Lea.

2

April 14 - May 8, 2005

Turner/Thomas Galleries & Children’s Museum
On Thursday, April 21, at 6:30
pring has definitely arrived
p.m., there will be an awards
when the annual Student
reception honoring secArt Festival comes to the
ondary students in the
Museum of the Southwest
Turner/Thomas Galleries.
each April. More than
Families and friends are
1,000 works by area artists
encouraged to attend and
will line the walls of the
support these creative young
Art Museum and
people on this evening of fun.
Children’s Museum, and
In
addition, the Children’s
scores of pedestals with creMuseum will be open that
ative works by Midland’s
evening for viewing
youngest artists will
the elementary stube on view. This
dents’ artwork.
annual event is
Awards Reception
All elementary
organized by
April 21
students will
Museum of the
6:30 p.m.
receive a certificate
Southwest,
of participation for
Midland City
their exhibited work from their teacher at
Council PTA, and the Midland
their individual school.
Independent School District.

S

MARCH, APRIL, MAY 2005

ART MUSEUM

Every work of art, whether sculpture, painting, music or architecture starts from an
idea. The idea is what we call an art works content. The Shape of Content pays homage
to artist Ben Shahn’s famous book of the same title to explore the interconnection
between an artist’s idea and their chosen medium to create a meaningful work of art.
Sponsored by The National Endowment for the Arts, a Federal Agency; The Arts
Assembly of Midland, The Beal Foundation, and Drs Praveen and Aparna Reddy.

Kate Petley:
Recent Works

Nancy Ferro:
Patterns of
Continuous Creation

May 6 - June 26, 2006

B

March 11 - April 24, 2005

B

orn in Wichita Falls, Texas, in 1944,
Nancy Ferro has taught art for the
past 27 years in both public and private
schools. She received her B.A. from
Stephen F. Austin University in 1962, a
M.A. and M.F.A. from The University of
Dallas in
1989. Most
recently her work
was accepted in
the “New
American
Painting” collection through
Open Book
Publishers of
Boston, Mass.
Her mixed-media
compositions
combine the past
with the present
using materials
from friends, relArtists’ Reception
atives, collecFriday, March 11, 6 - 7:30 p.m.
tions, flea marHosted by Terry and John Staub
kets, found
objects, as well as traditional art materials.

MARCH, APRIL, MAY 2005

At top, Nancy Ferro,
“Georgie,” 2004, mixed
media/canvas, 21” x
21”
At bottom, Kate Petley,
“Dizzy Drops,” 2003

orn in Port Chester, New York, in
1954, Kate Petley traveled west
to graduate, cum laude, from the
University of Utah in 1976, with a
Bachelors of Fine Art degree. She
now works out of Pagosa Springs,
Colorado. Her medium of cast resin
sculpture is displayed both in
Artists’
the round and as
Reception
wall installations.
Friday, May 6,
One person exhi6 - 7:30 p.m.
bitions include
Hosted by
the Center for
Cheri and Scott Jones
Contemporary
Art in Santa Fe, New Mexico, Fort
Lewis College Art Gallery in
Durango, Colorado, and the Martin
Museum of Art at Baylor University
in Waco, Texas. She has received
numerous grants and awards including
one from the Permanent Public Art
Commission: Bush International
Airport and the Cultural Arts
Council of Houston for a large permanent installation inside the terminal.
Her work attempts to convey the
most ordinary occurrences in everyday life in a way that you cannot
overlook their simple elegance.

3

CHILDREN’S MUSEUM

New Addition
The newest interactive at the
Children’s Museum, the Light Touch wall,
was dedicated at the public opening of
Christmas at the Mansion.

Deep Sea
Treasures
Coming this Summer!
Brought to us by the Helen
Greathouse Charitable Trust

A portion of operating support for the Children’s Museum is provided by the Abell-Hanger Foundation.
4

MARCH, APRIL, MAY 2005

PLANETARIUM
Celestial Contest
Deadline: April 1

T

ry your hand at identifying and listing all of the space objects depicted
on our mascot and you could win a free
one-year pass for your immediate family
to the public Sky Shows at the
Planetarium. You have through April 1,
2005 to give us a neat and colorful list
of all the celestial objects that you can
find decorating the bison, along with
your name and address. The museum
staff will do the final judging, so have
fun! The name of the winner will be
posted in the Planetarium.

Quarterly Skies
March

The celestial buffalo was unveiled at the public opening of Christmas at the Mansion and has been installed in
front of the Planetarium. The artists who designed and painted the buffalo were Susan Randle and John
Cappadonna (pictured) and Deborah Hamilton (not pictured). The buffalo is part of the Arts Assembly of
Midland’s Buffalo Basin community art project and was funded by Kay and Charles Bird, Judy and Hugh
Corrigan, and Mary Beth and Jeff Hewett. Our thanks to all those who made this project possible for the
Museum!

New Greeter
A

marvelous new sentinel will be “grazing and greeting” you as you approach
the Planetarium. This “must see” unique
celestial work of art is part of the Arts
Assembly of Midland’s “Buffalo Basin” project and was a generous gift to the Museum
by Kay & Charles Bird, Judy & Hugh

Corrigan, and Mary Beth & Jeff Hewett.
Artist Susan Randle, with skilled help of
fellow artists Deborah Hamilton and John
Cappadonna, created the magnificent work
of art. Oh, but please don’t feed our new
mascot as we have placed it on a strict diet
due to its choice of limited activity!

Winter Nights
Many budding astronomers think these
clear cold nights are best for viewing.
Those bright shiny stars displayed against a
jet black background may lead you to
believe you will have an improved transpar-

MARCH, APRIL, MAY 2005

ent sky for your telescope stargazing; this is
not necessarily the case. You will most likely encounter “shaky air,” caused by turbulence in the atmosphere, and it makes stars
twinkle more than usual.

New Moon on the 10th and a full Moon
on the 25th.
Planets to be seen will be: Saturn in the
Gemini Twins (very high), and with a telescope you can see the shadow cast on the
rings. Jupiter will rise after 8 p.m. and will
be brightest near the end of the month.
Mars will rise just before dawn in the southeast sky. The sun will cross the equator on
the 20th at 6:33 a.m. Central Time starting
the spring season.
April
New Moon on the 8th and a full Moon on
the 24th.
Planets to be seen will be: Jupiter, a bright
point of light in the southeast. Saturn shines
brightly in the west, in the constellation of
Gemini Twins. Telescopes will reveal the Moon
Titan within four ring widths. Mars will come
up around 2 a.m., low in the southeast.
May
New Moon on the 8th and a full Moon on
the 23rd. The full Moon will be very close to
the bright star, Antares.
Jupiter and Saturn shine prominently in the
southeast and west, respectively, in the twilight.
Mars rises in the southeast before dawn. The
Moon provides close conjunctions with bright
stars and planets this month.

5

MUSEUM NEWS
At right, Fred “Santa”
Westmoreland enjoys a moment
with little Elizabeth Ann Smith,
daughter of Kendall and Rusty
Smith. Below, “A Willie Wonka
Christmas” was one of 27 gingerbread entries for the silent
auction and display.

Christmas at the Mansion
Brings Holiday Cheer

At left, the Christmas tree and stairway decorations were just a few of the
many fabulous decorations throughout the Museum. Above, volunteers
Alyson French and Marisa Burns help with the raffle.

6

MARCH, APRIL, MAY 2005

MUSEUM NEWS
In(September
Remembrance
of …
2004 – January 10, 2005)
Diana Daugherty
Mr. & Mrs. Clarence Scharbauer, Jr.
Lynn & Fredda Durham
John F. & Jo Ann Milwee
Lynn D. Durham
Mr. & Mrs. Charles A. Dean
Mr. & Mrs. David R. Durham
Mr. & Mrs. Lynn D. Durham, Jr.
Mr. & Mrs. Marshall Durham
Mr. & Mrs. William M. Ford
Mr. & Mrs. William R. Ford
Mr. & Mrs. Richard Henderson
Mary B. Kennedy
Suzanne, Arch, James & Ginger Martin
Mr. & Mrs. Joel T. Mays
Mr. & Mrs. Leslie G. McLaughlin
Middle School Teachers at Trinity School
Mims & Stephens Insurance
Mr. & Mrs. Frank B. Powell
Mr. & Mrs. Walter S. Rankin
Carolyn J. Roden
Billie G. Ruppe
Dr. & Mrs. Tulsi Dyal Singh
Suzanne Smith
Robin & Mark Thomas
Mr. & Mrs. Charles Tighe
Mr. Lynne Whitt
Harriet Herd
Suzanne C. Martin
Ted La Caff
Mrs. John L. Cox
Robert L. Nickell, Jr.
Mr. & Mrs. William R. Ford
Thomas Smith
Ginny & Randy Bailey
Suzanne Smith

Let's do lunch!
The library of the Museum has begun
hosting the “First Friday Film Series,” a
brown bag event on the first Friday of
each month from 11 a.m. - 1 p.m. Join
us on your lunch hour and satiate your
hunger for the arts! Complimentary tea
and Starbucks coffee provided. Call 6832882 for the film series schedule.

In Honor of …

(September 2004 – January 10, 2005)

Mr. & Mrs. Frank M. Agar
Mary & Henri de Compiegne
H.L. Brown
Mary & Henri de Compiegne
A.J. Brune
Bonnie Hambek
Marquita Potter
Lynda Spinks
Cece & A.J. Brune
Joe & Cherry Vaughn
Mr. & Mrs. Charles Dean
Mary & Henri de Compiegne
Mrs. John Dorn
Mary R. Griffith
Barbara Duke
Mary & Henri de Compiegne
Mrs. George Farrell
Mary R. Griffith
Arden Grover & Rosalind Redfern Grover
Mary & Henri de Compiegne
Marie Hall
Mary & Henri de Compiegne
Mrs. Finley Holbrook
Mary R. Griffith
Mrs. Charles Hunter
Mary R. Griffith
Mary Kennedy
Mary & Henri de Compiegne
William Marshall
Mr. & Mrs. Ronald Humphreys
Mr. & Mrs. Clyde McCall
Mary & Henri de Compiegne
Jay Reynolds
Dr. George Bartha
Mr. & Mrs. Cy Wagner, Jr.
Mary & Henri de Compiegne
Mr. & Mrs. Frank Welch
Mary & Henri de Compiegne
Mr. & Mrs. Roy Williamson
Teresa Bell
Carol Kullman
Lou Mays
Mrs. R.R. Zonne
Mary R. Griffith

Museum Appreciates
Generous Support
(September 2004 - January 10, 2005)

Art Museum
• The Beal Foundation
Children’s Museum
• Bank of America
• Mary H. Conine
• The Helen Greathouse
Charitable Trust
Operating Support
• Abell-Hanger Foundation
• American Plains Artists
• Mr. & Mrs. William W. Burke
• Mr. & Mrs. Frank Kell Cahoon
• Mary Frances “Chan” Driscoll
• Mr. & Mrs. Donald N. Ewan
• Mr. & Mrs. L. R. French, Jr.
• Mr. Harvey Herd
• Holy Trinity Episcopal Church
• Mr. & Mrs. Robert Hudson
• Mr. & Mrs. J. Robert Lively
• Michaelson Producing Company
• Midland County
• Permian Cardiology Associates
• Mr. & Mrs. Douglas Scharbauer
• Mr. & Mrs. Herbert M. Stanley
• Mr. Willie E. Wilson, Sr.

Elegant Elephant Is Just
Around the Corner!
May 12 - 14
Once again it’s time to be thinking of
all of those “elephants” in your closet that
need a new home! Won’t you please consider donating your items to our fundraiser,
Elegant Elephant? Held only once every 3
years, this event is a great way to show your
support for the Museum and recycle items
of value that you no longer need or use.
Call the Museum at 683-2882 to arrange
for the pickup of your items.

The Museum of the Southwest, a non-profit corporation, is supported in part by the Texas Commission on the Arts
(TCA), with funding from the State of Texas and the National Endowment for the Arts. The Museum also receives
generous support from Midland County and the City of Midland. Additional revenue is raised through private
contributions, grants, membership dues, and earned income activities.
The newsletter is published quarterly by the Museum of the Southwest. All inquiries and letters should be addressed to: Museum of the
Southwest, 1705 West Missouri, Midland, Texas 79701-6516. Newsletter design: LMG Design, 1-918-461-0001

MARCH, APRIL, MAY 2005

7

MEMBERSHIP COUPON

Preferred Providers

❑ Mr. ❑ Mrs. ❑ Mr. & Mrs. ❑ Ms.
Name _______________________________________________________________________
Address _____________________________________________________________________
City __________________________ State ___________________ Zip _________________

We are pleased to recognize the following who have contributed their services.

❑ President’s Club ($1,000)
❑ Family Plus ($100)

❑ Patron ($500)
❑ Family ($50)

❑ Supporter ($250)

Flowerland

❑ Individual ($35)

413 Andrews Hwy.
682-1634

Your membership covers only a fraction of the cost of programming at the Museum of the
Southwest. For every $10 of membership support, an additional $28 must be raised from individual, corporate, and foundation support.
Please consider a tax-deductible contribution to the Museum of the Southwest. We need your
support!
Donation
amount: $ ___________
Membership
amount: $ ___________
Total: $ ___________

❑ Check enclosed

For Flowers

For Coffee
Starbucks Coffee Co., Inc.
3203 N. Midkiff Road
699-2382

❑ Bill my credit card:

___ Visa
___ Mastercard
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Card number: _____________________ Exp. date: ______
Signature ________________________________________

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Your Name Goes Here

MUSEUM OF THE SOUTHWEST
1705 West Missouri • Midland, Texas • 79701-6516 • 432-683-2882 • 570-7770 • Fax 570-7077

Museum Hours:
Tuesday - Saturday, 10 a.m. to 5 p.m.; Sunday, 2 to 5 p.m.

Through their in-kind generosity, the
Museum is able to stretch a tight budget to
provide even more programming for school
groups and the public. We have found their
services to be top-notch, and we recommend them to you!

Mark your calendars
for June 4 - Midland
City Limits!
Accredited by the
American Association
of Museums

432-683-2882
www.museumsw.org

570-7770

MUSEUM OF THE SOUTHWEST
1705 West Missouri
Midland, Texas 79701-6516

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Saved copy · 1 page

Myrtice West news release, September 14, 2004

Myrtice West (myrticewest.com) · September 14, 2004 · original address

West's "White Throne Judgment" and "Mother of Harlots" touring with the show through August 2005;

Myrtice West news release, September 14, 2004, page 1
Page 1

Click a page to open it — scroll or pinch to zoom, drag to move, arrow keys for the next page.

Full text

Text taken from the saved copy (where a page was only an image, it was machine-read and may contain errors — check against the page image before quoting). Copyright remains with the original publisher; kept for the historical record.

Archived copy for research · saved for the Matt Sesow Career Chronicle, history.sesow.com, October 11, 2026
Title: News release
Publisher: Myrtice West (myrticewest.com)
Date: September 14, 2004
Original URL: https://myrticewest.com/news_release.asp?PKNews=8
Why it matters: West's "White Throne Judgment" and "Mother of Harlots" touring with the show through August 2005;
says 15 venues in all.
Copyright remains with the original publisher. Reproduced for reference and scholarship; contact sesow@sesow.com
with any request.

back to news >>>
Happy 81st birthday!
09/14/2004
Myrtice had a happy 81st birthday today. She's feeling good and has been getting lots of visitors and buyers.
She's had a great year, with her paintings in two major exhibitions. "White Throne Judgment" (and the
reverse painting, "Mother of Harlots") from the Revelations Series will continue to tour the US with the
show "Revelations and Reflections of American Self-Taught Artists" through August, 2005. The show will
have been presented at 15 venues when it's finished. The University of Memphis Art Museum included four
of Myrtice's major works in "Coming Home! Self-Taught Artists, the Bible, and the American South."
Curated by Carol Crown, who edited Wonders to Behold: The Visionary Art of Myrtice West, the show will
tour the U.S. through August, 2005. In addition to "Daniel Chapter 2," the show included three paintings
from the Revelations Series: "Satan Takes Over" (now in the collection of Bob Roth), "Christ Returns as
Church Gets Ready," and "Christ and Bride Coming into Wedding." The University Press of Mississippi
published a catalog of the show in the fall of 2004. Other prominent artists in the show include Howard
Finster, Gertrude Morgan, Elijah Pierce, and William Blayney.

Home | Wonders to Behold | Art for Sale | News | Video
Site contents copyright © Rollin Riggs. All paintings shown on the site are copyright © Myrtice West and are
used by permission.

Saved copy · 4 pages

On Display for October 10, 2003

Las Vegas Sun · October 10, 2003 · original address

Listing: the show at the UNLV Marjorie Barrick Museum until October 17.

On Display for October 10, 2003, page 1
Page 1
On Display for October 10, 2003, page 2
Page 2
On Display for October 10, 2003, page 3
Page 3
On Display for October 10, 2003, page 4
Page 4

Click a page to open it — scroll or pinch to zoom, drag to move, arrow keys for the next page.

Full text

Text taken from the saved copy (where a page was only an image, it was machine-read and may contain errors — check against the page image before quoting). Copyright remains with the original publisher; kept for the historical record.

Archived copy for research · saved for the Matt Sesow Career Chronicle, history.sesow.com, October 11, 2026
Title: On Display for October 10, 2003
Publisher: Las Vegas Sun
Date: October 10, 2003
Original URL: https://lasvegassun.com/news/2003/oct/10/on-display-for-october-10-2003/
Also at: https://web.archive.org/web/20261011154026/https://lasvegassun.com/news/2003/oct/10/on-display-foroctober-10-2003/
Why it matters: Listing: the show at the UNLV Marjorie Barrick Museum until October 17.
Copyright remains with the original publisher. Reproduced for reference and scholarship; contact sesow@sesow.com
with any request.

On Display for October 10, 2003
Friday, Oct. 10, 2003 | 8:54 a.m.
Multi-gallery
"Here & There: Exploring Regionalism," a 65-piece exhibit featuring the work of 11 established artists from Louisville,
Ky., can be seen at the Brunz Rosowsky Gallery, the Contemporary Arts Collective and the Michael Wardle Gallery
until Nov. 9. Admission is free. 696-9737.
'Visions'
Larry Williamson, recipient of the 23rd annual Governor's Award for Excellence in the Arts, presents his work in an
exhibit titled "Dogs, Rabbits and other Visions of the Great Basin" until Nov. 21 in the rotunda of the Clark County
Government Center, 500 S. Grand Central Pkwy. 455-8239.
Paintings
"Avant Garden," a collection of paintings by Mary Warner, will be displayed from today until Nov. 8 at the Donna
Beam Fine Art Gallery on the UNLV campus. Admission is free. 895-1575.
Faculty exhibit
An exhibition of works titled "CCSN Faculty Art Exhibit" can be seen until Nov. 19 at the West Charleston Library,
6301 W. Charleston Blvd. Admission is free. 507-3940.
'Unlock the Secret'
The Rainbow Company Youth Theatre celebrates 27 years with a display of costumes, props, photos and posters that
trace the theatre group's history until Oct. 26 at Reed Whipple Cultural Center, 821 Las Vegas Blvd. North.
Woodturners
The Las Vegas Woodturners Association exhibits wood, stone and metal works in a show entitled, "A Turn for the
Better," until Dec. 9 at Spring Valley Library, 4280 S. Jones Ave. Admission is free. 507-3820.
'Dreams'
Artist Richard DeMoss exhibits his depictions of young children in his pencil and prisma color pencil works in a show
entitled, "Dreams Future, Dreams Past," until Dec. 21 at Green Valley Library, 2797 N. Green Valley Pkwy. Admission
is free. 507-3790.
Watercolors

"Walk Through the West With Ali," an exhibit featuring watercolors by Las Vegas artist Ali Tenney Boyer, can be seen
at the Lost City Museum in Overton during the month of October. Admission is $3 general, $2 for those 65 and older
and free to children and members. 397-2193.
Fall art
The Reflection Bay Golf Club Rotunda Room, 75 Mira Lago Blvd., hosts a fall art exhibit until Dec. 2. Admission is
free.
Local artists
Thirty-two pieces of artwork by 23 local artists will be displayed at the East Las Vegas Community/Senior Center, 250
N. Eastern Ave., until June 2004. Admission is free. 229-1515.
Exhibit/reception
Artist Elisabeth Shurtleff exhibits her collages of satirical tongue-in-cheek takes on modern womanhood in "Irreverent
Reflections on Modern Femininity" until Nov. 16 at Sunrise Library, 5400 Harris Ave. 507-3900.
'Every Picture'
Original artwork from published childrens' books, entitled, "Every Picture Tells a Story," will be exhibited until Nov.
30 at Whitney Library, 5175 E. Tropicana Ave. 507-4010.
'Humor'
Temple Beth Sholom, 10700 Havenwood Lane, is hosting an exhibit, "The Art and Soul of Peace Through Humor," a
compilation of works by Israeli children, until the end of December. Admission is free. 804-1333.
'Polanco'
The stylized art of Latino artist Jorge Arturo Betancourt, "Polanco -- Flying Days," can be seen until Wednesday at
Sahara West Library, 9600 W. Sahara Ave.
Paintings
Ten large-format paintings by master artist Olaf Rivera Gutierrez are on display until Dec. 7 at West Las Vegas Library,
951 W. Lake Mead Blvd. Admission is free. 507-3980.
Studies
Artist and composer Greg Hedden exhibits 27 compositional studies until Nov. 9 at the Rainbow Library, 3150 N.
Buffalo Drive. Admission is free. 507-3710.
Private collection
The private collection of the Duke and Duchess of Devonshire can be viewed until Jan. 18 at the Bellagio Gallery of
Fine Art. Tickets are $15 general admission and $12 for students. 693-7871 or (877) 957-9777.
Shoe exhibit
"Global Shoes," an exhibit of shoes from more than 40 countries, can be seen at Lied Discovery Children's Museum,
833 Las Vegas Blvd. North, until Nov. 30. Admission is $6 for adults and $5 for children 17 and under. 382-3445.
Photo exhibit
A collection of never-seen-before photographs taken by late director George Sidney will be displayed until Saturday in
the Donna Beam Fine Art Gallery, Alta Ham Fine Arts Building on the UNLV campus. Admission is free. 895-3893.

Artwork
Artist Walter Girotto's work will be displayed at the Las Vegas Art Museum, 9600 W. Sahara Ave., until Nov. 9.
Admission is free. 360-8000.
Art show
The Henderson Art Association presents the "Meet the Henderson Art Association Show" until Nov. 3 at Jitter's
Coffeehouse, 2295 N. Green Valley Pkwy. Admission is free.
Late artist
Artwork by late artist Ronald Terry Amie will be displayed until Oct. 30 at the West Las Vegas Arts Center, 947 W.
Lake Mead Blvd. 229-4800.
'Wellspring'
Artist Sharon Allicotti will display her pastel artworks in a show entitled, "Wellspring from the Desert: Recent Works
on Paper," until Oct. 19 at the Charleston Heights Arts Center, 800 S. Brush St. Admission is free. 229-4674.
Portraits
"Native American Portraits," featuring the works of Jane Marquez, can be seen at Enterprise Library, 25 E. Shelbourne
Ave., until Nov. 18. Admission is free. 507-3760.
'Revelations'
The UNLV Marjorie Barrick Museum, 4505 Maryland Pkwy., presents the exhibit, "Revelations and Reflections of
American Self-Taught Artists," until Oct. 17. 895-1402.
Drawings
Artist Sharon Rosse's large drawings will be exhibited until Nov. 2 at the Summerlin Library, 1771 Inner Circle Drive.
'Mother Road'
"Mother Road," an exhibit featuring Route 66, is at the Brunz Rosowsky Gallery, 103 E. Charleston Blvd., until the end
of December. 474-4123.
Exhibit/reception
Artist Darius Kuzmickas will exhibit his pinhole camera photos until Oct. 29 at the Winchester Cultural Center, 3130
S. McLeod Drive. 455-7340.
Latino artist
Latino artist Dixie Salazar exhibits her collage and assemblage art until Oct. 19 at the Clark County Library, 1401 E.
Flamingo Road. 507-3400.
Portraits of women
Artist Kat Tatz will exhibit portraits of women in a variety of graphite, oil, acrylic and other mediums until Tuesday at
the West Charleston Library, 6301 W. Charleston Blvd. Admission is free. 507-3940.
Pop icons
An exhibit titled "American Pop Icons" runs until Nov. 2 at the Guggenheim Hermitage Museum at The Venetian, 3355
Las Vegas Blvd. South. 414-2212.

Neon exhibit
Get a look at the neon signs that lit Las Vegas history during an exhibit titled, "Neon Unplugged, Signs from the
Boneyard," which runs until Jan. 4 at the Nevada State Museum and Historical Society, 700 Twin Lakes Drive.
Admission is $2 for adults and free to those under 18. 486-5205.
Dinosaur eggs
"The Tiniest Giants: Discovering Dinosaur Eggs," a renowned touring exhibit, is at the Las Vegas Natural History
Museum, 900 Las Vegas Blvd. North, until January 2004. Gallery hours are 9 a.m. to 4 p.m. seven days a week.
Admission is $6 for adults and $3 for children. 384-3466.
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