history.sesow.com/Press Room/2004

Press archive · 2004

Sesow in controversy

Text of the original page

Matt Sesow DC Dictionary, 2004

Washington Post writes about cancelled show

Matt Sesow's "DC Dictionary' included in controversy

October 2004

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 1-2)

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 3-4)

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 5-6)

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 7-8)

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 9-10)

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 11-12)

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 13-14)

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 15-16)

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 17-18)

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 19-20)

"DC, A to Z"

from a book painted by Sesow for exhibit at Washington, DC City Museum (Oct. 2004)

12" x 9"

acrylic/mixed on book

(pages 21-22)

"DC, A to Z"

17 images from the original page · click to enlarge

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Sesow in controversy, 2004: image 12 from the original sesow.com press page
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Searchable text of the clippings

Machine-read (OCR) from the scans above on October 11, 2026. Spelling and line breaks may be wrong; check against the image before quoting.

Image 01 funky1.jpg view scan

Che Washington Post

Frripay, Ocrozer 8, 2004

Ailing City Museum Cancels ‘Funky’ Show

Planned Exhibit Called Unsuitable

By Jacqustine Tarscorr Washington Post Siaff Writer

o the troubled City Muse- ‘um of Washington, an ex- hibition by local artists Seemed jut the hip solution to new, des Siac anew, desperately necd- But instead “Funky Furni- ture,” a show of painted living room pieces, has heen evicted bby the museum because some of the artists’ themes were consid- red unital e furniture display, a proj ect organized by Art-OMatic 2004, a volunteer confederation of mainly local artists, was

‘moved into the museum Weekend and was shelled to pen this month. The theme was a takeoff on the museum's desire to be known as “the city’s living room.”

One artist decorated a church, pew with pictures and quotes to allege that President Ronald Reagan was indifferent to the AIDS crisis, Another took an end table and plastered it with <drug paraphernalia and a quote

former mayor Marion Bar-

1, who was jailed for drug pos

session. Another created a cof

feetablesize dictionary with

‘See MUSEUM, (8, Col. 1

Kayti Didriksen’s picture art of the “Ii a” that Cy tscum hadhoped woud boost stent

Museum Sends ‘Furniture’ Ba R

MUSEUM, From Cl

‘Washington entries, such as “A Is for An- thrax” and “G Is for Gentrification,” lus- trated by a drawing of a white male urinat- ingon African American residents.

‘And what is a living room without a prominent painting? Kayti Didriksen, a lo- cal artist, decided fo paint President Bush and Vice President Cheney in the well known style of Manet’s “Olympia.” Bush is nude and reclining on a chaise longue, and Cheney, in a suit and tie, is holding a velvet pillow with a erown topped by an ol ig.

‘The City Museum's executive committee decided yesterday that the museum was “not an appropriate venue for this event.”

‘The museum is primarily a facility for lo- cal and regional history and is operated by the Historical Society of Washington, D.C. thas severely overestimated its potential audience and revente: From its opening in ‘May 2003 through August, it had 36,536 paying patrons, compared with the 100,000 40-450,000 that had been projected.

“This is not what we had bargained for. We thought we were getting functional fur- niture,” said Leste Shapiro, co-chairman of the museum board. Shapiro and Sean Duf- fey, another board member, said yesterday that the political content was not an over- riding factor in the decision not to go ahead.

"T don’t think was judging it on that ba- sis,” Shapiro said. "What we are not is an art gallery. There are probably places this should go.” She said she was disappointed the arrangement didn't work out.

‘The exhibit would have been the first art show at the museum, housed in the historic Camegie Library on Ninth Street NW, just opposite the Washington Convention Cen- ter

‘But the board decided the work did not meet its vision of the show or the expecta tions ofthe teachers who bring in schoo! children—the majority of the visitors the ‘museum has been able to lure so far. “It ‘wasn't consistent with the mission of the museum,” Duffey said.

‘The artists are upset.

“Tam shocked and disappointed, consid- cring that the museum is struggling to make ends meet. They were not willing to go out on a limb with a group of emerging artists,” said Chad Alan, a co-chairman of the show and the creator of the Reagan/ AIDS pew. “The artists told a true story, ‘and cach city has dark sides.”

Jim Tretick, a member of the executive committee of Art-O-Matic, said: “We are used to showing in galleries, where art is art and you get what you get. This is a mu- seum with a different clientele, and it was not a good match.”

‘Alan said the artists arelooking for anew ‘venue and have pledged to keep the show intact.

‘The museum did not oversee the assem- bly of the show, which is the traditional ‘method by which an art museum creates its, ‘own exhibit or controls a traveling show it thas agreed to accept. The show grew out of a brainstorming session between a former ‘museum official and an artists’ representa tive, Alan said the artists were asked by Art- O-Matic’s organizers to submit designs to him that would capture events and people jn Washington in the whimsical fashion of the ‘Party Animals” public art competition, He said museum officials did know some of the themes.

“They seemed excited about having the show,” said artist Maggie O'Neill, a co- chairman of the show. She painted a Tong executive desk to resemble hot pink snake- skin and included a pink presidential seal to salute a future female president,

Shapiro and Duffey, however, said the first time they saw the material was yester- day. Monday, the day the artists started raising a furor over the possible cancella- tion of the show, happened to be the first day of work for Maureen Robinson, a man- agement consultant hired to develop new ‘ways to attract visitors to the museum.

After the art was installed last weekend, representatives of the museum said they ‘were disappointed the pieces didn’t come together as a traditional living room and that the designs didn’t lend themselves to sitting or touching. Also, the initial assem- bly didn't have information that identified the concept or the artist

“Tt was less interactive than the museum thought,” said Tretick. He said the artists, had planined to complete the labeling before the formal opening.

While the furniture event was being planned, both sides agreed that the pieces had to be movable to allow for party rentals, ‘of the main lobby, which provide the bulk of the museums income. In August, a muse- um official said special events had brought admissions. After the furniture show, the artists planned to auction off the items, with 25 percent going to the museum.

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