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Press 2006-09

The Examiner — Washington, DC

The Examiner (Washington, DC) — "Making the scene: D.C.'s Expressionist movement" by Robin Tierney (September 2006), on "Soul Mining" at Studio One Eight; calls Sesow an "alt-art legend-in-progress"

Newspaper article · inferred: September 2006 (handwritten note on clipping: "DC Examiner" Sept. 2006)

Making the scene: D.C.'s Expressionist movement

The Examiner (Washington)

Making the scene: D.C.'s Expressionist movement, page 1
Making the scene: D.C.'s Expressionist movement

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Photographed by Matt Sesow from his press packets, October 18, 2026; text transcribed from the photos by Claude.

ARTSCAPES
Making the scene: D.C.'s Expressionist movement
By Robin Tierney
Special to The Examiner

German Expressionism ... Pop Art ... Contemporary Post-Expressionist Subpop Romantic Surrealistic Lowbrow on the Potomac. OK, the third is too cumbersome and limiting a moniker for D.C.'s burgeoning art movement. Nonetheless, a formidable, distinctive scene has surged up from the underground, and a great place to dive in is Studio One Eight in Adams Morgan.

"Soul Mining," on view by appointment up to the Sept. 9 closing reception, features an arcade of colorful, eye- and mind-popping works by alt-art legend-in-progress Matt Sesow and J. Coleman, a Mary Washington grad who moved here to apprentice with Sesow in 2004. The show's title refers to the use of art as a therapeutic release; the two dozen works reflect on emotions from agony to hope, and issues from personal isolation to a war-torn world.

Among the all-new works are four large-scale collaborations created earlier this summer on Coleman's Mount Vernon Place urban rooftop, where he does most of his painting, much of that inspired by the energy and poverty on constant parade below.

"Martyr" proffers a tableau of religious iconography and political zeitgeist, commingling Coleman's Day of the Dead-derived figures, sacred hearts and sacrificial virgins with Sesow's strapped-up suicide bomber. "Salvation meets self-destruction," Coleman says of the visual collision, recalling the duo's efforts to capture desperation about world violence ... and to a lesser extent, working conditions as the roof heated to 110 degrees.

"It's a grimy type of piece [that reveals] the passion in its making," says Coleman. As testament, the unstretched canvas bears footprints, sweat and spillage from drinks. "Martyr" is the artist's pick, but the other pieces merit attention as well.

Normally a loner, Coleman feels supercharged with the action/reaction interplay with collaborator Sesow.

WHERE TO SEE SOUL MINING
On view by appointment
Artists' closing reception 7 to 10 p.m. Saturday, Sept. 9
Venue: Studio One Eight, 2452 18th St. NW, Washington
Tix: Free
Info: 703-862-2775; studiooneeight.com

[Handwritten: "DC Examiner" Sept. 2006]

Where this record comes from

Cite as: Sesow, Matt. “The Examiner — Washington, DC.” Matt Sesow Career Chronicle, 2006. history.sesow.com/e/2006-examiner-making-the-scene-tierney.html. Accessed [date].

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Also in 2006

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